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It was his first publication as an author and it had a decisive influence on several generations of photographers in Japan and elsewhere. Nobuyoshi Araki Shashin gekijo: Illustrated with photographs taken between and , in both color and black-and-white. Original wrappers with photo-illustrated dust jacket and bellyband. Originally scheduled for publication in , but not published until almost a decade later, this work is a visual compendium of extreme images of sex and violence the book was never published outside of Japan.

The variety of edited scenarios include many of Araki's most famous images, including those of his wife Yoko and also Yukio Mishima Kimitake Hiraoka, an author.

The themes of violent sexual practice, and in particular of bondage, so often present in the artist's work are captured through a combination of black-and-white and color imagery, with the use of both numerous close-ups and wide-angle shots, and ranging from staged interiors to landscape views.

Illustrated with black-and-white heliogravure-printed photographs. Design by Mikuo Nakamura. Original photo-illustrated French-style wrappers with elongated flaps. First edition of Araki's initial conventionally published book following his early series of photocopy books.

Despite the eroticism being more playful and non-threatening than is evident in his later bondage-obsessed books, Araki still to combat problems with the Japanese censors. Many of his proposed images were rejected.

A compromise, at least in terms of Araki's original vision and imagery, was found with the development by Nakamura of a layout that split the rejected images into sections which could be reassembled by folding opposing pages together across multiple spreads. With the censors appeased, Araki was able to publish something close to the book he had originally intended.

The cover photograph is of their wedding. The photographing of this most intimate of occasions attracted much criticism in a country which still valued a strict code of behavior. Andrew Roth, The Book of Books: Seminal Photographic Books of the Twentieth Century, pp. Auer, photo books from the M. Nobuyoshi Araki Senchimentaru no Tabi. Sentimental Journey , Araki is a major celebrity, but when this book was self- published in , he was unknown. It is a photo diary of Araki's honeymoon, including an image of a gravestone that provides an eerie foreshadowing of a later book chronicling his wife's death.

All the elements that make Araki a world-class photographer are on full display here: Sentimental Journey is one of the most important Japanese photobooks published. After hundreds of books and significant fame, it remains Araki's best and most influential work.

First and only edition. Though it was produced as a work of pure science, the photographic plates, reproduced a s luxurious autotypes, are what speak to us today. They are beautiful abstractimages, produced by sending electric discharges through water, similar in appearance to lightning, but more fullsome and symmetrical. Of this book the DNB states: The photographs were made by Mr. Worsnop , "a well-known photographer in Rothbury.

Vol II is titled: Supplement to Lord Armstrong's work on electric movement in air and water, being a continuation of his experiments together with an extension of them made in concert with Henry Stroud This volume contains an additional 14 plates of which 12 are printed in colors. This vol is rare; OCLC locate only 5 copies.

From Lord Armstrong with his compliments. They participate with Piero Manzoni and Enrico Castellani to the organization and the activities of the galleria Azimut. On September they exhibit mixed material and monochrome artworks at galleria Pater in Milan. After becoming fully aware of the tendency towards a tabula rasa, which was typical to the visual arts of those years, they felt the need to take this trend to its extreme consequences and to overcome it through the actions of what had become, in fact and since long, a group.

The variation is obtained through the movement that modifies the spatial structure of the artwork over time. This proposal opens a phase of collective debate, which produces a series of scenarios.

Firstly, the need of a random component emerges, in order to break the cyclical mechanical movement. This implies to allow the audience to actually intervene in the work. Involving the different contributions, the group prepares a series of programmatic texts with a strong philosophical side. Referring to unrealized utopias proposed by historical avant-garde movements, Gruppo T has opened research scenarios and new operational methods.

They started by producing works, both collective and individual, based on the effects of variation in material, surface, color, etc. Miriorama 1, the first manifestation of the group, was organized in January at galleria Pater in Milan. On this occasion the Declaration was published. Four solo exhibitions followed, one per each artist of the group Miriorama 2 to 5.

Miriorama 6 in is the second group exhibition and marks the presence of Grazia Varisco as a new member of the group.

On the occasion of Miriorama 7, at galleria San Matteo in Genua in , the second theoretical declaration of the group was published: At Miriorama 8 in , Gruppo T exhibits an edition of ten copies of five multiples, numbered and signed, at the shop of Bruno Danese in Milan the multiples were re-edited by Alessi in For Miriorama 9 in , Gruppo T sends fifteen ultra-light artworks to Minami gallery in Tokyo, upon the invitation of the artist Shuzo Takiguchi.

The catalogue of Miriorama 12 at galleria del Cavallino in Venice in was a folding combinatory poem by Nanni Balestrini. Collection of catalogues from the Galleria dell'Ariete, Milan. Of catalogues published, this set comprises , the most complete group ever assembled. List furnished upon request. Volume one is by Cavalli, two by Vender and three is by various artists titledf Mountains. Very rare to see complete in fine condition.

Vol , ,20 , Toki Sayuri; Photo-Planète Co. Complete run of 20 issues 1 through 20, plus the Special Issue. The issues are fine. The first three issues with printed wraparound bands obi. In Japanese and English; though some of the essays and interviews are in Japanese only.

Includes the following photographers: Includes bibliographies, biographies, interviews, essays, reviews. A complete run of all issues published of this important Japanese periodical.

Moriyama started the Camp gallery as a way of promoting young Tokyo artists. Kitajima was the first photographer to show his work here, beginning with his Tokyo project, followed by Okinawa. This unique, ephemeral publication dates from , marking the opening of the gallery and announcing planned projects. Japanese Photography Artistes Divers Geribara 5 1 set, 3 vol. Paperback with illustrated covers. Geribata brings together several young avant-garde Japanese photographers, of whom Araki is the most prominent, connected by similar tastes for farce and irony associated with their conceptual research.

The first volume is a solo work by Takase Yoshio and deals mainly with graffiti in Tokyo public toilets. The second is a collective work uniting differently cropped portraits of young girls posing on Japanese beaches.

The third, visually less homogenous, allows every photographer of the group to make a portrait of a woman of his choice. Ken was published by Shaken, a company established by the photographer Tomatsu Shomei, who provided the cover photograph for the first issue. Each of the three issues that appeared before the magazine ceased publication was edited by a different photographer: The first issue contained criticism of the Osaka World Exposition and cultural criticism related to photography.

Japanese Photography Artistes Divers Provoke 3 vol. Complete collection of this legendary publication NB: Provoke 4 appeared in , after the group fell apart uniting the most innovative post-war Japanese photographers. Breaking tradition and taboo, Provoke presented a new style - violent, dirty, embracing the accidental, the blur and shadow of social critique.

Anna Atkins Photographs of British Algae: Cyanotype Impressions , BK. Recognized as the first book to be photographically printed and illustrated, it is a landmark in the history of photography, employing the new process of cyanotype invented by Sir John Hershel in The plates were made by placing the dry specimens on light-sensitive paper and then exposing the sheets to sunlight.

Self-published and printed in a limited number of copies for private circulation, each unique, comprising elegantly arranged photographic prints of seaweeds listed in alphabetical order, with captions hand-written by Atkins. This copy is a rare volume that has remained in a private library for many years; bound in green morocco leather with a hand-written inscription.

The authors were practicing architects in Liverpool and wrote the book to meet the growing demands of the gothic revival movement. The book was an instant success. Some of the Audsleys designs were directly copied to wallpaper and stencils.

The thirty-six plates are fine chromolithographs by Firmin-Didot, Paris, the best color printers of the time. First octavo edition containing hand colored lithographs.

Armorial bookplate of Harmon Pumpelly and his signature in light ink on title page of each volume. Half-titles, subscribers' lists at end of each volume. Trembly and others, printed and colored by J. Bowen, wood-engraved anatomical diagrams in text intermittent offsetting and spotting, particularly to the tissue guards and corresponding text leaves at the beginning and end of each volume. Bound in full red morocco gilt, elaborately decorated in gilt extremities a bit rubbed.

The first octavo edition of John James Audubon's masterpiece, a tall copy with colors very clean and fresh. The resulting series of plates constitutes the most extensive American color-plate book produced up to that time. Zeitschrift für angewandte Naturwissenschaft. Cosmos magazine for applied natural science. With 4 nature printed plates, one being a fold out very large tropical leaf. The discovery of the Nature Printing-Process.

With 19 1 double-page nature printed plates. Poligrafisch-illustrierte Zeitschrift , BK. Monthly Illustrated magazine for Art, Science, Industry, and Social life the early, important compendium of printing methods and techniques. Early salt prints include St. Stephan's Cathedral and Tower, Venice, a microscopic image of a Fohren-Spinne larvae, magnified x and 3 magnified insect wings, by Ernst Heeger.

The 32 early nature prints show lace samples, seaweeds, plants, sections of wood, leaves, textiles, fish tail, and a full bat with open wings! Also illustrated with hundreds of chromolithographs several folding , woodcuts, etchings, engravings, mezzotints, embossings, and more featuring landscapes, genre scenes, nautical, medallions, flora and fauna, book illustration, and others. Alois Auer was the director of the Austrian State Printing House, at the time the largest and most advanced in Europe, which created illustrated volumes of scientific interest and produced many advances in printing technology.

K Hof- und Staatsdruckerei , It is the first published work describing the process of Nature Printing. Alois Auer Album der K. Hof- und Staatsdruckerei in Wien , BK. Naturselbstdrucke in 6 parts being: With an evocation of graphic art, this book demonstrates systems of logic pictorially. Each sheet has an array of cutouts used as spray paint stencils to create a pattern of circles and tubular pill shapes.

Spray paint on plotter cut Bristol paper with cloth binding. Card inserted in the book serves as the colophon. Edition of 10 copies. For [2,3], Auerbach has created an oversized pop-up book featuring six die-cut paper sculptures that unfold into wonderful, elaborate forms.

The six sculptures in [2,3] take their cue from a range of geometric forms—the pyramid, sphere, ziggurat, octagonal bipyramid gem , arc, and möbius-strip. This groundbreaking project stands as an astonishing art-object, part bookwork and part sculpture, and represents an advance in the field of pop-up technology. This deluxe set includes a facsimile of the complete page text and an accordion-bound volume of Baldessari's 39 double photo-collages printed by offset lithography in black and 7 colors.

The page photo-collages can be viewed as 2-page spreads or unfolded to an almost foot length. Overall size approximately 11 x 8 x 4. The three volumes housed in publisher's slipcase; overall in excellent condition. The book features a series of cropped movie stills depicting either a telephone or pearls. Signed and dated by the artist in pen. Imschoot, Uitgevers for IC, Portfolio of fourteen photolithographs with letterpress printed paper folio cover and fourteen leaves, incorporating title sheet, twelve sheets of images, and colophon page.

Cream saddle-sewn textured paper wrappers, text in black; tiny mark to cover. Circular punched hole at fore-edge as issued. Pitfalls to avoid; tales for the art unwary. Bound book of 14 hard and soft ground etchings on natural Gampi and Rives de Lin papers. Text by Balka, letterpress. The artist paid homeless people on the streets of California to allow him to imprint their bare feet mostly toes on a copper plate to make these prints.

The result is a startling collection of strong but subtle images that reflect the frailty of human existence. The edition is limited to 25 copies: Edition of 20 copies. Printed Buckram in Dust Jacket. Designed by Thomas F. Text in English and German. It reproduces as a full page each of the fifty-one images that comprised the Castelli Graphics photographic print portfolio of the same name that was issued in an edition of forty with six artist's proofs.

A bright, most handsome example of the uncommon first printing cited on pages of The Hasselblad Center's "The Open Book", and pages of "The Book of Books". Photographs of a Man-Altered Landscape. In their place was the alluring vacuum of anonymity though that seems beside the point in pictures devoid of any human presence and desolation so complete it was almost elegant. Signed and inscribed by L. Artist book with 80 embossed and lithographed pages with text in Braile by Eugen Bavcar.

The Artist hand carved on the cover but in the end did not want to make the edition with the binding proposed by Matthew Zucker, fabricated by Adam Lowe and Rob Hadrill at BookWorks. Bernd and Hilla Becher Set of first 15 editions , Bernd and Hilla Becher Anonyme Skulpturen: A Typology of Technical Constructions , The German husband and wife team of Bernd and Hilla Becher have spent 40 years documenting the relics of the receding industrial age, classifying these near —obsolete structures according to function: In this, their groundbreaking first book, the Bechers established the disciplined approach they would follow throughout their career, objective, centered views made with large-format cameras and finely grained black and white film, working under overcast skies early in the morning during spring and fall only to insure a diffuse light with minimal shadows.

Les Éditions premières 15 hand-colored gelatin silver prints all mounted within the book. Weather Bureau, sorted through some of Bentley's photomicrographs the original negatives and some of his notebooks are housed at the Jericho Historical Society, Vermont and published of his pictures—most of them of ice crystals and about of sleet, ice, frost, and dew.

By adapting a microscope to a bellows camera, Bentley became the first person to photograph a single snow crystal in His work illustrated that no two snowflakes are alike. Former Warhol Factory acolyte, Berlin narcissistically documented her life via Polaroid photographs. The Book of Job was Blake's last completed prophetic book: Blake used these illustrations as a medium for spiritual teaching about humankind's search for the true God.

The images are Blake's most lucid depictions and they are the superlative example of his reading of the Bible in its spiritual sense. Ray, The Illustrator and the Book in England from to The original copper plates are now in the British Museum. Marcus Elieser Bloch Ichtyologie, ou histoire naturelle générale et particulière des poissons. Avec des figures enluminées, dessinées d'après nature.

Title and contents page, 80 photographs on 40 sheets after Karl Blossfeldt, contents loose as issued. Publisher's half cloth over patterned paper covered boards, yellow title label on the upper cover, silk tie Library blindstamp.

Printed from the original glass negatives. Signature red cloth cover with photocopies of newspapers and some of his earlier pieces. Edition of copies signed and numbered. Deluxe issue with hand sewn cover. Printed by Boetti in Ascoli Piceno, Text by Anne-Marie Sauzeau-Boetti. Boetti worked with Anne-Marie Sauzeau on this book for over seven years. Fluctuations up to miles in length were no exception.

In the book, each page is devoted to one river with a factual list of its technical data. The book conveys metaphor, process, and reality. This copy is 31 of deluxe copies. Edition with red cover, numbered; pages. Produced over seven years, Boetti collaborated on this book with art critic Anne-Marie Sauzeau.

Boetti had a keen interest in the relationship between chance and order, numbers and the world in various means of organization and classification, and the ways in which cultural order is imposed on the complexities of nature. Each page is devoted to one river with a factual list of its technical data. The book conveys metaphor, process, reality—at once poetic and scientific.

Edition of copies. Pierre Bonnard Unique copy of Bonnard Lithographe. André Sauret , BK. Several cover sketches were for his nephew Charles Terrasse — , who wrote a notable book on Bonnard and collaborated with him on the image for his piano piece Petites scènes familières, as illustrated. One other bookplate design is for Misia Sert, a pianist, art patron, and celebrated muse of the Nabis.

Claude Roger-Mark — , writer, composer, playwright, art critic, and art historian. Loose sheets and plates in orig. Edition number of The coppers and wood blocks were destroyed after printing.

Edition n of Mirbeau's story of a semi-wild Australian pup's life in France and his attempts to accommodate "civilization", first published in but probably known best today through this edition published by Vollard with Bonnard's etched illustrations.

The project was Bonnard's first extended use of etching and drypoint, He began working on the illustrative possibilities of the novel after its initial publication, and his first sketches were published the following year in Les Cahiers d'aujourd'hui. The Vollard edition did not appear until 10 years later. The collaboration between the publisher and art dealer, Vollard, and Bonnard was of the greatest significance in the development of modern art and particularly the Livre de peinture.

In-folio de 6 pp. Rarissime ouvrage imprimé par 'impression naturelle' dont on ne connaît que deux autres exemplaires. C'est un des très rares ouvrages a avoir été imprimé de cette manière en France. Marcellin Bonnet, après né à Limoux était chirugien oculiste et pharmacien.

Il a été reçu pharmacien par la jurande de cette ville en Il a commencé ce 'Facies plantarum' vers à Carcassonne. Le procédé employé pour imprimer ces belles planches nous est aujourd'hui complètement inconnu. En retournant les feuillets on peut voir au verso de chacun d'eux, la trace en relief de la plante, ce qui prouve que le dessin de la nervuration des feuilles, la silhouette et les teintes ont été décalquées simultanément sur le vélin et par pression.

Par quel moyen l'auteur a-t-il pu faire de chaque planche une aquarelle inimitable et absolument fidèle, nous l'ignorons. Chartier, Bulletin de la Société d'études scientifiques de l'Aude, Il y a quelques retouches au pinceau sur les planches. On imagine la quantité de travail et de temps qu'a exigé la réalisation de chaque plante. Inutile de dire que chacune des planches n'a pu être tiré qu'à quelques exemplaires.

Nous avons dans cet exemplaire un feuillet contenant un titre, et une table pour les 15 premières planches qui est restée vierge, et 4 pages de légendes des plantes, avec commentaires, de 16 à 45 et 34 planches. Il n'existe que deux exemplaires de l'ouvrage dans les bibliothèques publiques: BM de Carcassonne et Bibliothèque de l'Institut.

Ils contiennent tous deux 45 planches. La Bibliothèque Nationale a acquis en l'exemplaire de l'auteur qui comprenait planches, sans texte. C'est le seul ouvrage de Bonnet qui se soit vendu depuis des dizaines d'années.

Cet exemplaire provient d'une maison de Limoux, ville natale de l'auteur, et s'y trouvait très certainement depuis la publication de l'ouvrage. Même si cet exemplaire n'est pas tout à fait complet, c'est un ouvrage absolument introuvable aujourd'hui. This copy has a title page with below an unprinted table for the first 15 plates, 4 pages for captions of plates numbered 16 to 45 et 34 plates.

Only two copies of this book are found in public libraries, both are in France. They have 45 plates. The Bibliothèque Nationale bought in the author's copy with plates and without text. It was the only copy sold since decades. This copy comes from a house in Limoux, a small town in the South of France, where the author was born. It was most certainly there, since the publication of this work.

The 1,page volume of pure color blocks concealed in a black box is a limited edition of 99 copies, signed and numbered in pencil. Foreward by Rem Koolhaas. Irma Boom has become one of the most widely renowned and respected book designers in the world today.

Her often ingenious solutions to individual book productions have gained Boom international fame and her work is now collected by many leading museums such as the MoMA in New York.

Edition of signed and numbered copies. One volume, Holloway page , Mitchell page Bosai lived from to , at Edo. Mitchell says he established his own school and became very famous. Holloway reproduces several illustrations from the Imaginary Mountains: It is a book of subtle, calm, quiet, color woodcut with the most delicate and sometimes barely noticeable background tints. Commonly small figures share the landscape or view it, contemplating or fishing or conversing.

Printed on fine, rather soft paper; original pale lilac covers with the remains of the original title label. This book faithfully reproduces the original fabric work of the same year. Each is signed and numbered on the colophon and includes two signed photographs digitally printed on Verona paper and mounted on gram watercolor paper with the respective titles: The garden in Antony, and The Bièvre River, Housed in a blind embossed slipcase, each book is uniquely bound with hand dyed and distressed linen.

Published by Matthew Zucker, New York. Third version of the original book in fabric. Housed in a blind embossed cardboard slipcase, with a white Japanese linen embossed cover. In the book, she reminisces, through images and text, about the impact the river had on her.

Her family moved next to the Bièvre in the suburbs of Paris when she was 8 years old Years later, Bourgeois was to go back to that house with her own family only to find the river to no longer exist, "only the trees that my father had planted along its edge remained as a witness.

Edition of 1, copies. This page book New York: Matthew Zucker faithfully reproduces that original fabric work. Each book is signed and numbered on the colophon and includes two signed photographs digitally printed on Verona paper and mounted on gram watercolor paper with the respective titles: Complete book with text and a suite of the 9 etchings of spiders with all the etchings signed by the artist.

In England, the same technique was employed by Bradbury, with colour, when he came to make the illustrations for W. Johnstone's book of British seaweeds and for T. For this smaller octavo edition with more plates the same process was involved by which the ferns were printed in green and occasionally finished by additional brown hand-colouring. Frank Elgar ; [Lithographies originales de] Georges Braque.

Fequet et Baudier Paris text Mourlot frères Paris lithograph. This is number 96 of With Dedication to Nicolous Rauch with pink painted design on title page.

Four mixed etchings, of which two are printed in black, one in black with bistre border, and one in blue. Book signed by artist. Original wrappers in original cloth box. Text by Jean Paulhan. First edition, one of exemplars produced for the members of the club no copies were for sale. Illustrated with 14 lithographs in tones of blue or brown on handmade Auvergne du Moulin Richard de Bas paper; four are hors-texte. Vallier ; Rauch ; Monod In this book Georges Braque records his thoughts on art and life in his own handwriting and with his own illustrations.

They are reproduced with ninety-four black and white photolithographs. During World War I Braque was wounded in the head and was temporarily blinded. This injury prevented him from painting for over a year.

He resumed working in and the personal notes in this book began that year. This book has been very popular. It started its life in with a limited edition of only ninety-five signed copies of ninety-four pages each including three photolithographs, two in color. The second edition appeared in in two versions: The cover of this second edition is the same lithograph as for the first edition but it is printed in a single shade of blue rather than two shades of blue.

In Maeght worked with Pierre-André Benoit to produce a supplement which added twenty-four pages, which are included with this copy. Printed by Fernand Mourlot. Includes one signed etching and aquatint. Text by Robert Rius. Published by Éditions Surréalistes, Paris.

Unpaginated "flip-book" consisting of approx. Breer , known as the "kinetic poet of the avant-garde", was renowned for his spearheading efforts in animation, utilizing both abstract as well as representational images throughout a career of over 50 years. He worked with avant-garde movements of his time and was associated with high modernism, fluxus, pop, and other genres. A unique flip book using only lines in movement dedicated to Robert Rauschenberg. Breer was best known for his films, which combine abstract and representational painting, hand-drawn rotoscoping, original 16mm and 8mm film footage, photographs, and other materials.

Breer was an experimental filmmaker, painter, and sculptor. This unpaginated flip book is an experiment that helped him transit from painting to films. I was working in very simple geometric forms, hard edge, conventional, you know, more or less conventional neo-plasticism. I had to invent my own system because I had no training in filmmaking at all and certainly none in animation. I only knew that I had to do one frame at a time. Madame Therese Bertrand-Fontaine's copy 14 of 60 deluxe issue with colored au pochoir lithograph by Salvador Dali and inscribed by Breton.

Number 17 of 50 copies. A tiny and most rare important final artist's book by Broodthaers that plays on language, scale, and function—it is transportable, but useless.

Atlas , PR. Lithograph in black ink; untrimmed sheet of the pages of a posthumously published miniature book by the artist called "The Conquest of Space: Atlas for the Use of Artists and the Military". From the edition of only 50 copies. VII with Estate stamp on back. In Campo Urbano Ugo Mulas disbands with conventional divisions between documentation, portraiture, and artwork by employing tilted camera angles, unusual framing, and a series of images that visually describe a daylong intervention in the city of Como.

The work foreshadows his later engagement with the conceptual side of photography, its framing and mirroring of the world. James Buckman The natural history of British meadow and pasture grasses, with an account of their economy and agricultural indications. The first series had appeared in two volumes in , but as usual the works are completely separate and independent.

The first series of the Kanga Shinan had been illustrated by Kanyosai, not by Bumpo. This is much more than a painting manual of course. It includes studies of tree forms, house building, leaves; many pages of figures closely observed, not merely demonstrating ways to draw them, and taking part in all kinds of activities from calligraphy to painting to garden pruning or, more familiarly, leaning on a garden broom doing nothing, and kite-flying - almost such scenes as Hokusai showed in the Mangwa.

Then we have a splendid series of the Hangchow lake scenery with the most delicate of color tints for outline and background; and a volume of strongly drawn scenes of mountain, shrine, wood, rock, cultivation and temple. Color is always used delicately in these books as light hint of tint rather than brilliant prominence. Original pale yellow and pale green covers, title labels.

Mitchell, page ; Holloway, figure final figure of his book. First series, one volume. Fine copy with the original embossed geometric blue covers in good condition and also the title label, as described by Mitchell, page Bumpo lived from to in Kyoto. Mitchell writes 'Skilled at landscape and figures, his fame was equal to that of Ganku and he occupied a position in relation to Ganku similar to that of Rosetsu in relation to Okyo'.

Holloway describes and reproduces him amply. This fine album with its bold line and outline shows across double pages both peaceful and complex compositions, generally using pale color, sometimes semi comic or more often simply pastoral, and occasionally devoting the composition to a sprig of plum blossom or a bird on a twig of willow. The colors are quietly and subtly handled, the range very wide. Hillier has a lot to say about Bumpo in his Chapter 11, page onwards, and reproduces rather inadequately several examples from this book.

Figure painted in black acrylic. Titled, signed and dated with pencil on sketchbook page. The five photos chosen for the work form a compact module directed toward livable and lived in spaces, houses for insomniacs. The text appears in blocks of varying sizes of type whose outline forms a border inspired by the drawings of houses. From to , he produced more than photo canvases—landscapes of the outskirts of Barcelona— exhibited for the first time in at the Kunsthalle in Berne.

In , he represented France at the Venice Biennial. His work, translated into German, English and French, is as difficult to decipher as his biography, a life he likes to invent through the course of his various interviews and encounters. His writing, infused with the Japanese aesthetic and photography, stands out for its radical minimalism. Konstantin Grcic Born in Germany in His modular furniture, developed over the last few years mainly for Classicon and Magis, are among the designs that make him a major figure in contemporary design.

From Bustamante started a new series, 'Lumières', which are large black and white photographs, silkscreened onto plexiglass, and hung with four metallic hooks which maintain the image at a distance of about 10cm from the wall.

The effect obtained is that the image is both projected onto the wall and reflected in the plexiglass - hence disturbing the viewer's vision. The viewer is confronted with an inderterminate space which cannot be focused on properly. In the most recent series 'Aérogrammes' and 'Panoramas' the artist begins to explore a similar effect of uncertainty between space and surface - architecture and photography - with monochromatic colours and drawing.

Cloth-covered board box containing one loose page as issued, with offset lithograph with one line of text, in miniscule font: Sticker with title and press on cover; numbered on recto.

Published by Michael Werner, Cologne. Edition of 50 copies. Within the grid and beyond the pattern. Display copy n Every key of your keyboard on a page made with my own TypeFace Risograph printed on 90 grams paper spiral bounding , 70 pages Limited edition of ; signed display copy.

Deluxe edition portfolio of only 10 copies consisting of compositions from the large-edition book of same title, printed on gram Munken Pure uncoated paper. With these dots, 8 different embroidery stitches can be made.

A book without text, it reads easily, with work that displays some extraordinarily disciplined and dedicated research, placing abstract forms rhythmically with tremendous chromatic power and opulence. Each color combination in this book appears only once. Deluxe edition portfolio of only 10 copies consisting of compositions printed on gram Munken Pure uncoated paper. Edition of only 10 copies. The sold out book was an Edition of With these dots, eight different embroidery stitches can be made.

When processed by the computer the stitches become lines and new graphic possibilities arise. Lines can be repeated or joined to form a longer line. Lines can be rendered with outline or without. Lines can be reproduced as form or as in-between form. Lines and in-between forms can be put on top of, one another in layers. Eight colors are employed in various combinations, with each combination appearing only once, generating 48 two-color combinations and 56 three-color combinations.

Four-color combinations yield 72 options. Hand sewn cotton leporello book, with screenprinting, in cloth box with colophon. Edition of 8 variants, with 2 AP. Each copy is signed and numbered. Each book is handmade from repurposed fabrics the artist found in Mexico City.

She designed small buttonholes in between the panels so the work can be hung as a banner as well, choosing either side. Hand sewn cotton accordion pleated leporello book, with screen printing, in cloth box with colophon.

Edition 2 of 8 Each book is handmade from repurposed fabrics the artist found in Mexico City. She designed small buttonholes in between the panels so the work can be hung as a banner as well, choosing either side for display. Carrieri was a leading photojournalist and cinematographer associated with the Italian neorealists. Carrieri spent time photographing in the suburbs as well as in the centre of Milan, focusing his attention mostly on the less glamorous working side of this hard Italian city.

The City and Its People. Published by Achille Mauri Editore. Agnetti, encased in printed cardboard box. Thermoformed plastic multiple and accompanying booklet with text on the artist by Vincenzo Agnetti, encased in printed cardboard box. Published by Achille Mauri Editore, Milan.

Cesar Rétrospective des sculptures. Grenoble, Knokke, Rotterdam, Paris. Tiré à la main. Numbered copy, signed by the artist. Text in French and Dutch. Loose as issued in publisher's box. One of 20 copies on Japon Nacre, with frontispiece and the Justification page signed. First American edition, with two original lithographs specially prepared for this book and with beautiful color reproductions of the artist's works. Illustrated are various drafts as well as the final versions of the 12 stained glass windows designed by Chagall one for each of the tribes of Israel for the synagogue of the hadassah-Hebrew University Medical Center.

With 10 original etchings by Chagall. Loose as issued with slipcase. Book signed by author, artist and editor. Illustrated with etchings by Chagall. Folio, bound in original publisher's wrappers. Teriade Editeur, , Teriade Editeur, , first Chagall edition, two volumes, number of exemplars total edition , printed on Montval paper, signed by Marc Chagall on the justification page.

The complete book with the Bible text, illustrated with original etchings by Marc Chagall; pp. In very close to excellent condition. Size of each book 18 x Printed by Louis Fort. This is one of 15 deluxe copies on Japan paper, from an edition of Numbered 4 on the justification with the drawing. Emily Charley An Album of British seaweed specimens , There is a full page poem about seaweeds which begins " The depths of the ocean, afford us a home, We ride to the shore on billows white foam" and is bordered by different types of seaweed.

Included is one specimen collected from the Potomac River dated and another is sent from a friend "Lowestaft ". It shows us that the owner of this book kept on adding to it over 25 years and has been cherished for many years.

An early seaweed album excecuted with perfection and preserved in very fine condition. Translated from the French by John Spanton. First edition in English with the color wood engravings by Edmund Evans. Routledge first published Spantons translation in with merely one color plate, but for subsequent editions he had the present attractive blocked sunburst binding created and charged Edmund Evans to make color wood engravings not chromolithographs.

Most of the prints in the book illustrate the effects of neighboring colors on the appearance of a given hue. Because all the colors were shown in discrete relatively large areas, not overlapping with any other color, these illustrations were particularly suited to Evanss method of color printing" Friedman, Color Printing, n.

The text was first published in Despite Chevreuls authorization of the translation, the text is shorter and condensed than the first translation, but this is the first edition to include the plates and a chapter on military clothing.

Birren on Chevreul, pp. This edition not in Birren Collection, Herbert, or Indergand. The color woodblock printing is sophisticated, imitating accurately the effects of the watercolor brush. There are amusing devices such as turtles aiming bow-and-arrow at a spread lotus leaf held out by another turtle; depictions of ordinary life of the fishermen coming home with their catch; bold and excellent compositions of flowers and leaves in a remarkable number of colors; a boat party on a lake by the mountains; a bird flying into wisteria; a marvelous great kimono whose wearer sits at her calligraphy.

Jack Hillier, an authority on the art of the Japanese book, used the illustration of mountain pines on the cover of his definitive study on the genre Ehon. This is a superb copy, the printing particularly clear. Thread-bound book; 26 illustrated sheets and three sheets of text; woodblock; ink and color on paper. Signed, with red seal. This work by Chinnen must rank high among the whole large group in book history which illustrates the ordinary doings and customs of the day.

Hillier admires it especially: Soft transparent pastel-like shades were employed and used broadly over areas sufficiently large to enable one fully to savor individual colors", and he reproduces several of which one can most enjoyably admire the double page of preparing nori seaweed. The colors are less brilliant than in the "Sonan Gafu" by the same artist but the effect is not less dashing.

Chinnen's books follow across more directly from one page to the next book. Original binding of silver printed over pale blue paper covers. Loose sheets in cream paper portfolio. This copy has a dedication and includes a drawing by Cocteau, dated , on the title page. Unique screen printed book, 22 pages, all pages glows in the dark.

The pages are overprinted with a layer of transparent phosphorescent paint. Phosphorescence's slow time scale of re-emission of light is associated with "forbidden" energy state transitions in quantum mechanics.

And of course, as in quantum mechanics, you can appreciate the Doppelgänger books in different states: Turning a flash light on and off will revel the duality of the work like an x-ray. Unique screen printed book, 24 pages, all pages glows in the dark. A unique book featuring 32 original art works. Each piece is a screen printed monotype in which we push the boundaries of the serigraphy technique as well as experiment with forms, colors, layers and composition.

It plays with a conceptual mise en abyme as well as refers to the textual whole of the work. Salamander Editions [Joseph Cornell], Original printed stapled wraps. MARIA was privately printed by Cornell in an edition of about copies and given away to his friends as presents.

The work was inspired by nineteenth-century opera singer Maria Malibran-Garcia and was produced with the same precision and care Cornell brought to his other work. It is in many ways a Cornell work in book form with the appropriation of text, the use of a decorative headpiece from yet another book, and dealing with one of Cornell's signature obsessions.

A twenty Page bond artist's book consisting of ten double page screenprinted color images, bound in a grey cloth cover and contained in a matching box, plus a separate copy of one of double page images screenprinted on two loose sheets. Each page measures The specimens are pressed on the sheet with a seperate letterpress card with Genera. This fine set is complete and in very fine condition. Ansberque Cusin Herbier de la flore Française , Folio with 12 volumes of over nature-printed plates depicting plants of which the flowers are enlarged and handcoloured.

The "procédé phytoxygraphique" or nature-printing gives the precise outlines and finest details of the plants with the greatest exactness. The flowers of the depicted plants are drawn enlarged and are almost all handcoloured. One of the largest "herbiers" ever published and the largest nature-printed plant book ever made! They give the actual appearance of the plants very accurately and the separate drawings of the flowers in colour are well done". With 12 color lithographs. This Don Quixote trilogy is comprised of Don Quixote: The Warrior's Heard, Don Quixote: In this trilogy Dali depicts Don Quixote, Cervantes' idealistic Spanish nobleman who fancied himself a knight fighting the world's injustices; he saw flocks of sheep as enemy armies, and served the causes of truth and beauty.

It has been said that Don Quixote's quest was an allegory of the eternal search for goodness and truth, with an idealism that appeared to be madness in a world that sometimes viewed heroism and love as a form of insanity. How interesting Dali must have found this satirical romantic! The play suffered terribly on opening night, but thanks to the ingenuity of the actor Frederick Lemaitre and some major revisions, it soon became quite popular.

Frederick Lemaitre turned the character into a proud, confident, and devious swindler. For a whole year the artist kept a record of the different bruises — accidental she points out — she detected on her body.

She opted for close-up framing in order to reinforce their plastic quality. What they form appears to be sensual and abstract landscapes. Perfide perjidious person pérfido, m. Plagiaire plagiary plagiârio, m. Pilleur plunderer predatôre, m. Prétendant pretender pretendente Prévaricateur prevaricator 5 prevaricatore, tras- t gressore, m. Prodigue prodigal prôdigo, f. Qui se fourre par tout intruder importune. Railleur hanterer motteggiatore, m. Rebelle rebel ribélle, m. Receleur receiverofstolengoods nasconditôre, m.

Rêveur dreamer, doter Yaneggiante,rimbam- Rustaud clown villanâccio, m. Sorcier sorcerer stregone, m. Sot silly person alocco, sciocco, goffo, Suborneur suborner subornât- ore, m. Traître traitor traditore, m. Transgresseur transgressor trasgressore, m. Tyran tyrant tirânno, m. Temporiseur prolonger of time indugiatore, m.

Trompeur a cheat ingannat-ôre,m, rice. Usurpateur usurper usurpatore [f. Voluptueux voluptuous person voluttuôso, m. Sobriété Solidité Soumission Sagesse Satisfaction Tempérance Valeur Vertu Vigilance Vérité repentance reserve résignation respect révérence gratitude sanctity serenity sincerity, candour sohriety solidity submission wisdom réparation tempérance valour virtue vigilance truth pentimento, VRi riserva, f.

Antidote Astringent Anodin Baume Bande Eain Bol Bouillon Breuvage Compresse Charpie Camphre Cassias Cataplasme Catholicon Cautère Cordial Corrosif Contrepoison Corne de cerf Crème de tartre Dissection Dose antidote astringent anodyne halm hand bath or batliing holus hroth potion bolster tint campliire cassia cataplasm, poult catholicon issue or caustic cordial corrosive counterpoison liartskorn cream of tartar dissection dose antidoto, m.

Thériaque Térébenthine Tisane, Vésicatoire Ventouses, f, pi. Ventouse Vomitif treacle turpentine décoction hlister cupping cupping-glass vomit teriâca, triâca, f. Nourriture Provision Vivres, m. Les François les appellent poudins, et en Italien nous les appellerons budini o pudinghi seconde 1' Algarotti.

Mule, Sarpe, Salmoni e Coracini, vi. Du sel sait del sale, m. Du poivre De la muscade pepper nutmeg del pepe, m. Du gingembre De la cannelle ginger cinnamon pepe zénzero, m. Cloux de girofle cloves del garofano Epice Verjus Assaisonnement De l'huile spice verjuice seasoning oil délia spézie, f. Du vinaigre vinegar deir acéto, m. Champignons Mousserons mushrooms white mushrooms funghi, m. Truffes Anchois truffies anchovies tartûfi, m.

Massepain Pain d'épices Gira blettes Gelée de grosseille Oublies, f. Cornet Sucre Dragées, f. Logement Premier étage Chambre Antichambre Chambre à coucher Chambre de îanour Chambre garoie[rice roomfurnished Rez de chaussée groundfoor Chambre basse Salie basse Salle h manger dining-room Chambre de devant front room Chambre de derrière back room lodging abitazione firstfloor or story primo piano chamber or room caméra, stanza, ï.

Un cabinet La galerie Second étage Le salon Le grenier Le galetas Entresol Le dépense Le cuisine Garde-manger Le lavoir La lingerie La brasserie La boulangerie Les commodités La cave a closet, study the g aller y second fioor the hall the garret the cocliloft entersole pantry kitchen stfe, larder the wash-house the laundry the hreiv-house the bake-house the water-closet the vaultfor wine câmera davanti câmera di dietro un gabinétto, m.

Une étable Les écuries Le râtelier Une remise Un puits La corde La poulie Un seau à puisef Un seau Une pompe Un jardin Jardin potager the steps the halusters a stable the mews the rack a coach-house a well the rope, cord the pulley a bucket a pail a pump a garden a kitchen-gurden scala segréta scala a chiocciola gli scalini il halaùstro una stalla le scuderie la rastrelliéra una riméssa un pozzo la fune, la corda la canùcola una sécchia un sécchio una tromba un giardino orto, orticéllo, m.

La litière La fourche L'étrille, f. La portière Timon, ni. Les rouGS Koue de devant Le moyeu Le rais Les jantes La bande de fer L'assiea L'esse, f, La soupante Les ressorts Le palosineau Les liarnois La bière tJie door coach-beam tlie wheels the fore-wheel the stock of a wlieel the spolies tliefellies of a wTieel the iron clouts the axletree the axle-pin the main b races the springs the spring-tree bar the harness the hearse lo sportéllo il timone le ruôte la ruôta d' avanti il môzzo le razze i quart!

La veste the waistcoat corpétto,m. La boîte La chaîne Le cordon La cief Des lunettes Une bague Un anneau nuptial Une bourse Une tabatière Un rasoir Une épée La lame Le tranchant Le fourreau La garde La poignée Un ceinturon Un baudrier Couteau de chasse Les éperons Une canne La pomme Une baguette Un jonc Une béquille Un porte-feuille Un craj'on Les ciseaux Une orguette the watch-case the chain the string the key spectacles a rmg a wedding-ring a pur se a snuff-hox a razor a sword a blade the edge the scahhard the Mit the handle a helt a shoulder-helt a hanger the spurs a cane the head a wand a reed a crutch a pocket-booh, a pencil scissa7's a spying-glass la cassa la caténa cordone, o nastro, m.

Uu ruban a riband nastro, m. Des manchettes ruffles i manichétti Un mantelet a cloak una mantellina Chapeau de femme a hat un capellino Bonnet, coiffe a bonnet una cuffia Un voile a veil on vélo Des gants gloves dei guanti Des bracelets bracelets gli smanigli Un manchon a miiff un manicôtto Une agrafe a clasp una bôrchia Un éventail a fan urj ventâglio ' De la dentelle lace del merlétto Un collier a necklace una collâîia, un mo- Les pendants d'oreille ear-rings gli oiecchini [nile Les joyaux jewels le gioje La toilette the toilet la tolétta, o toeiétta Un peignoir combing-cloth un accappatojo Un masque a mask Uiia rnâschera Un miroir a looking-gîass spécchio, m.

Une aiguillée Le chas Uiî paraplaie Un parasol a needIe-fuU tlie eye of a needle an umbrella a parasol una gugliâta la cruna un ombrello ombrellîno, parasole Une bavette Un bomreîet La lisière La jaquette Le fourreau Le béguin Les langes Layette, f.

De la toile linen cloth Toile grossière dowlas d'Hollande Holland cloth de coton calico de coton des Indes India calico De la flanelle Du damas Du drap De î'écariale De fa fntaine Du basin Du bombasin De la batiste De la moosseîine Du caraelot Du canevas De la caiiTiande La lisière da drap Dn brocard Du bongran Delà frise Du linge ouvré De la pîuche fiannel damask woollen cloth scarlet cloth fustian dimity bombasin cambric muslin camblet canvas callimaneo tlie list of cloth brocade buckram frieze diaper plush lela, f.

Etoffe de soie silk stuff drappo di seta Etoffe de laine woollen stuff drappo di lana t6cca,f drappo di se- De la gaze gauze Du crépon thick crape del crespoue , [ta Du tabis tabhy del tabi Du linon lawli tela di rensa De la laine filée worsted stame, m. Du point point punto, m. Un ministre Un curé Une paroisse Un diacre Un soudiacre Un vicaire Un vicariat Un clerc Un abbé Une abbesse Un prieur Un prieuré Un chapelain Un missionnaire Un prédicateur Un confesseur Un lecteur Un chantre Religieux, moine Une religieuse Un marguillier Un sacristain Un hermite Un anachorète Un fossoyeur a minister, parson a parson, rector a rectory a deacen a suh-deacon a vicar or curate a vicar ship a cîerk an ahbot an abhess a prior a priory a chaplain a missionary a preacher a confesser a reader a chanter, cJiorister afriar, monk a nun a church-warden a vestry-keeper a hermit an anachorite a grave-digger un ecclesiâstico un pârroco, curâto rettoria chiesa par- un diâcono [rocchiâle un sod diâcono un vicârio un vicariâto un chérico un abâte una badéssa un prière.

Idolâtrie idolatry r idolatria, f. Amende Jine, fo rfeit Bannissement, exile baniskment Bastonnade Baguettes, f. Blâme, reproche Captivité bastinado gantelope blâme, dispraise caplivity H una multa, ammenda bando, esilio la bastonâta le bacchétte biâsimo, rimprovero cattività, schiavitù.

Gibet, potence Ignominie Indigence Infamie Limbes, m. Halte hait alto Invasion invasion una invasione Incursion incursion una scorreria Infanterie infantry,foot r infanteria Illuminations illuminations le illuminazionl Légion légion una legione Levée levy una leva Levée d'un siège raising of a siège levâta d' un assédio Militaire warfare vita militâre Menaces threats le minâcce, pi.

Paix peace la pace Patrouille pairole la pattùglia Prisonnier prisoner un prigioniéro Pillage pillage, plunder un sacchéggio Poursuite pursuit, cliase una câccia Parti party una partita, e banda Parti de traîneurs straggling party partita di soldâtisban- Perdus, égarés missing soldâti smarriti [dâti Poignée de gens liandful ofmen poca gente Peloton platoon uno squadrone Phalange phalanx una falâiige Quartier général liead-qiiartcrs quartiére générale Quartiers d'hyver winter-quarters quartiéri d'invérno Réjouissances rejoicings testa, allegria,f.

Rapine rapine rapina, ruberia, f. Reddition d'une place surrendering of a la resa d'una piazza Rançon ransom yplace riscâtto, m. Coup de canon Une salve Une arme à feu Armes blanches Laraousquéterie Un fusil Un mousquet Une monsquetade Un mousqueton Une carabine Une arquebuse Un pistolet Monture d'une arme stock of a gun La crosse [à feu the but-end una miccia corda, miccia, f.

Barricade Bastion Batterie Boulevard Casemate Château Citadelle Chemin couvert Cheval de frise Courtine Contrescarpe Contre-garde Démi-lune Défense Escarpe Esplanade Embrasure Echaiiguette Fossé Fraises Fascine Fausse-braye Fort Forteresse Fortin Gabion Gabionnade Glacis Guérite harricado bastion hattery hulwark, mound casemate castle citadel covered way chevaux de frise curtain counterscarp counterfjuard half-moon defence scarp esplanade embrasure, port-hoîe watch-tower moat, dite h fraises fascine false trench fort foriress littlefort gabion gnbionade glacis Ouvrages avancés Ouvrage à corne à couronne Parapet Palissade Plateforme una barricâta un bastione una batteria baluârdo, terrapiéno una casaraâtta un castéllo una cittadélla strada copérta cavallo di frisa una cortina una contrascârpa una contragguârdia una mezzaîûna una difésa, o ripâro una scarpa una spianâta una cannoniéra veletta o vedetta, f.

Une flotte afleet una flotta, armâta Une escadre a squadron una squadra La marine the 7iavy, sea affairs la marina L' amirauté the admiralty ', the Tammiragliâto la giunta délia marina la flotta reâle una flotiglia la flotta délie Indie navy office Bureau de la marine navy-board La flotte royale the royal navy Une flottille aflotilla La flotte des Indes the Indiafleet La flotte d'Espagne the Spanish Armada la flotta Spaguuola Une armée navale Armada, large jieet un' armâta navale Les forces navales sea-forces le forze navâli Les vaisseaux shipping flotta, f.

Navire, vaisseau sMp orvessel nave, f. Les ponts the decks Le tillac L 'écoutille the liatchway Le sabord the port-hole Kang de canons tier of guns Canon de 12 livres de a twelve-poimâer balle Un pierrier Le stribord Le bâbord Le bordage L 'abordage La voile Le mât Les gémelles Le grand mât Les voiles latines Les mâts majeurs Les mâts de hune il bordo o i ponti d'un i vascéllo deck or quarter-dech la tolda, o sopra cô- 11 boccapôrto [pérta la cannoniéra [noni una batteria di can- cannone di dodici libbre di portâta un petréro, cannonci- a swivel the starboard ofa ship la parte destra [no the larloard ofa ship la parte sinîstra the side of a ship il bordo the loarding V abordâggio the sail la vêla the mast l'âlbero the cheeks of a mast le lapâzze the main-mast the lateen-saiîs the loweî' masts the top-masts V âlbero di maéstra le vêle latine gli âlberi raaggiôri âlberi di gâbbia, o so- X prapposti âlbero di trinchétto Mâts de misaine ou the fore-mast d'avant [timon Mât d'arrière owd'ar- the mizen.

Méchantes raarchan- trasli of goods robâccia, f. Négoce trade negozio, trâffico, m. Oublie,paio à cache- wafer ostia, f. Opulence [t er opulence opulénza, f. Offre offer offérta, f. Quittante acquittance, receipt quitanza o quietanza Rente viagère annuity for life un vitalizio Rabais drawback ribâsso, diffâlco Revenu income la réndita Reçu receipt una ricevûta Rechange re-exchange ricâmbio Regrattier regrater rigattiére, rivendû- Remboursement reimbursement rimborso [gliolo Rémise remittance rimessa, tratta [pi.

Règlement de settlement of accounts aggiustamento di Risque [comptes. Une once Une demi-once Un quart Un quarteron Un livre Une demi-livre Un quintal Poids de 14 livres Un demi-setier Un pot Une pinte pinte a pint Une chopine ou demi- a half-pint Deux quartes apottle Quatre quartes a gallon Un baril a barrel Uue barique, unmuid a hogshead Une pipe a hutt or pipe Un tonneau a ton JJn picotin a peck tJn boisseau a bushel a weight un peso , troy-weigJit peso di marco a balance, pair of seules una bilâocia a steelyard una stadéra auncel-weio'ht uno staderone una bilancetta îo stilo, il fusto -!

Revendeur huckster, chandler Rentrayeur fine-drawer Rôtisseur cook-shop keeper Rôtisserie cook-shop Regrattier chandler, huckster Raccommodeur de chair-mender Renoueur [chaises hone-setter Savetier Saunier Sellier Serrurier Serger Sculpteur Sculpture Sérancier Sage femme, f.

Denteleur de roues Dévidoir, m. Forme brisée anvil hlock for hatters stretclier Flamme, f. Pierre à aiguiser Pincettes, f. Pilon et mortier Perçoir, m. Règle Rouet à jSler Roue, f. Petite scie Serpe, f. Alchymie, f, Alchymiste, m. Astronomie, f, Astronome, m. Les beaux arts Les belles lettres Biographe, m. Chroniqueur libéral a7'ts epitome academy academician alchymy alchymist anatomy anatomist apothecary pharmacy architecture architect arithmetic arithmetician astrology astrologer asironomy astronomer àlgehra algehraist annalist surveyor surveyiiig an author libéral arts arti liberâli, f.

Humanités, belles ; lettres Interpolateur, m. Rhéteur Rhétorique Roman Romancier Savans, m. Parties d'oraison Nom, m. Verbe actif, passif, verb active, passive, verbo, attivo,passivo. Mot indéclinable Mot composé, m. Tiret - Parenthèse, f. L'arithmétique Un arithméticien Un nombre Un tout L'algèbre Un chiffre Un zéro Une fraction Dénominateur Nombre Dixaine Centaine Mille Numération Numérateur Addition Soustraction Multiplication Nombre à multiplier Multiplicateur Division Nombre à diviser Diviseur Le quotient Réduction Règle de trois aritlimetïc an arithmetician a numher an inieger or whole algehra a cypher figure a nought a fraction denominator units tens hundreds thousands numération numerator addition subtraction multiplication multiplicand multiplicator division dividend divisor quotient réduction rule ofthree aritmética, f.

Vingt-mille Trente-mille Quarante-mille 71 Lxxi. Livre de musique La gamme Les notes Une ronde Une blanche Une noire Une croche Double-croche Triple-croche Les silences Une pause Une demi-pause Quatre soupirs 8 demi-soupirs 16 quarts de soupirs 32 demi-quarts de Une octave [soupirs Un demi-ton Un dièse Un bémol Un bécarre Une cadence Une liaison Un fredon La reprise Un intervalle Les proportions Une clef Clef d'ut ou soprano Clef de sol Clefde fa ou de basse La basse chiffrée Ton majeur Ton mineur - Une mesure Le temps music-hook gamut, scale the notes a semihreve a minim a crotchet a quaver semiquaver demisemiquaver the rests 1 semihreve rest 2 minim rests 4 crotchet rests 8 quaver rests 16 seyniquaver rests 32 semiquaver rests an octave a semitone a sharp a fiât a natural a cadence, shake a hind slur trilling, a shake a repeat an interval the proportions a cliff or key soprano cliff the trehle cliff the hass cliff the thorough bass major key minor key a bar time DELLA MUSTCA.

Les instruments Basse de viole, f. Une opale, un girasol an opal stone Une eirasol a s: La gomme L'ambre, m.

AmbregrJs L'ammoniac Basilicon Benjoin, m. Mastic gum amber ambergris ammoniac basilicon benjamin bitumen camphirc galbanum guaiacmn manna mastick la gomma r ambra, f. Un camarade Un divertissement Une plaisanterie Un plaisant Un badin Un persifleur Une réjouissance Une bouffonnerie Le rire Des balivernes Un jouet Un enjouement Plaisir, passetems Une récréation Une drôlerie Un jeu Jeu de hazard playfellow diversion jolie a joker a wag a jeerer jollity, merriment drollery laaghter silly stories a laughing -stock mirth pastime, sport récréation waggery a game chance play compagno, camerâta, un divertimento [m.

Carreau diamonds quadri o mattôni,m. Pique spades picche, f. Trèfle clubs fiori, m. Droit de faireles car - deal il far le carte La main [les the lead la mano Dernier en cartes youngest hand d' ûltima mano L'ami partner il compagno Une levée a trick una base, o bazza Une renonce noue of thaï suit un fâgiio La bassette basset la bassétta Le pharaon faro il faraone Le lansquenet lansquenet giuoco délia zara La bête loo giuoco délia bestia Le flux fiush il frussi gofFo Une prime primera bambâra o primiéra Une séquence séquence i séguito di carte del me- i désimo semé L'iiombre ombre giuoco deir ombre Un matador matadore mattadore, m.

Un baste basto basto, m. Le quadrille quadrille il quadriglio L' enjeu the stakes posta, f. Les pois peas i pisélli Les pois chiches chick peas i ceci La cosse des pois peasc. S âjo Un monceau [etc. La sève the sap il sûcehio Une branche a brandi un ramo Une menue brauch 3 a spray, sprig un ramicéllo Un rameau a bovgh frasca, f. Un abricotier Un amandier Un arbousier Un brugnonier Un avelinier Un coudrier Un cannellier Un cerisier Un citronnier Un cocotier Un châtaignier Un carojibier Un coigtiassier Un cormier Un cornouiller an apricot-tree an almond-tree an arhute-tree a nectainne-tree afilhert-tree a hazel-tree a cinnnmon-tree a cherry -tree a lemon, citron-tree a cocoa-tree a chesnut-tree a caroh-tree a quince-tree tt sorb-apple-tree a cornel-tree o 2 un albicocco un mândorlo un corbézzolo un noce pesco un aveilâno un nocciuôlo âlbero délia cannéila ciriégio o ciiiégio un liraône âlbero del cocco un castâgno carrùbbio, guainéUa un cotogno un sorbo un corniole lôO DES FRUITS.

Poire de bon chrétien — de beurré — blanquette — caillot — -rosa — mouille bouche — amadote — d'ambrette, etc. Et en Italien, pera bngiârda — angélica — bergamotta — 'Carovélla — moscadélla — spina, etc. July-floxver fior garôfano, viola ga- Giroflée double stock -gi lly -fiower vioîa dôppia [rotanâta Giroflée jaune îuall-fiower viol-a gialla Une hyacinthe a hyacinth un giacinto Du.

Plante médicinale De l'aconit De l'aigremoine De l'aloès De l'anibrosie De l'angélique De l'aspic De l'agnus castus De ia bardane De la bétoine médical plant wolf's hane ayrimony atoes ambrosia angelica spikenard agnus castus burdock hetony erba médicinale r aconito, m.

Graine d'anis Ananas, m. La tète d'ail Gousse d'ail Armoise, f. Branche ursine Betterave, f. Brioine, couleuvrée Bardane, f.

Champignon blanc Chou cabu, m. Pomme de chou Chicorée Choufleur, m. Jérusalem artichokes tarfûfi bianchi o di aspârago, m. Giovanni argentiua, serpentina snake-root, hirthwovt anstologia, f. Dent de chien Dent de lion, m. Graine de paradis Gui, m. Grand persil Gesse, cicerole, f. Graine de lin Hysope, f. Houblon, m, Houx-fiêlon Herbage, m. Herbe au lait, f. Pietro la ginéstra speronélla robbia cardamône vischio frutice ' appio palustre una cicérchia ghiaggiuôlo, giaggiuolo sementa di lino r isopo, e issôpo erba elitrppia epâtica, fegatélla l'ébbio lùppolo, m.

Laitue romaine Laitue pommée Légumes, pi. Lentille sauvage Langue de chien Lierre, f. Langue de serpent Lupin, m. Melon d'eau Mouron, m. Menthe sauvage Menthe aiguë Mandragore, f. Nombril de Vénus Orvale, f. Iiearfs ease [per jacéa, e giacéa, f. Pouliot sauvage Pois chicbes, m. Pcds bâtifs Pois sauvages Pulmonaire, f.

Pommes de terre, f. Reine des près, f. Une bête Une brute Un anima! Les Poètes avec leurs licences poétiques ont tellement confondu les termes qu'à peine on peut reconnoître la propriété des mots.

Le miaulement Sabbat des chats lie mngissement Le rugissement Le hurlement il miagulâre del gatto Le grognement Le hennissement mewing of cats caterwauling un miagolio di gatti hellowing of an ox il raugito d' un toro roaring of a lion i! Oiseau de proie Oiseau de rivière Oiseau de passage Un aigle Un aiglon Une aigrette Une alouette Un cochevis Une mauviette Une farlouse Alouette de champ Un autour Un autruche Une bécasse Une bécassine Une bergeronnette Un biset Une buse Un butor Un bouvreil Une caille Un cailleteau Canard sauvage Chat-huant, hibou Une chouette ornithology hircl ofprey water-fotvl migratory hird an eagle a young eagle an egret a îark a crested Iark a sliy-lark a tit-lark ' a pippet a goss-hawh an ostrich a woodcock a snipe a wagtail a stock-dove a huszard a bittern a bidl-finch a quail a young quail wild duck, mallard an owl, horn-coot a screech-owl Chauve-souris, f.

Oiseau domestique a tame hird De la volaille povltry Un canard a drake ucrélio doméstico pollâmc, jiolii, m. Une cane Un caneton Un chapon Une colombe Un coq Un vieux coq Coq d'Inde Un dindon Poule d'Inde Un dindonneau Un pigeon Pigeon ramier Un pigeonneau Un paon Une panache Une poularde Une poule Une pintade Un pouiet Un poussin Une couveuse Une oie Un oison Le bec La pépie La crête La huppe Les ailes L'aîleron Les pattes Les serres ânitra fémmina anitrâccio, anitrocco un cappône una Colomba un gallo un gallastrone lin polio d' India gallinâccio, tacchiuo una tacchina tacchino giôvine un picciône colombâccio, colom- un piccioncino [bélla un paorie una paonéssa una pollâstra unagalliua gallina di Faraone galletto, pollâstro un pulciûo una chiôccia [ling un' oca, f.

Il Baretti nel suo Dizionario 1' appella perlano, ma avrebbe fatto raeglio a chiaraarlo sorta di peice, corne al suo soiito in tutti quasi gli altri articoli disimil sorta.

Mule, Sarpe, Sal- moni, e Coracini. Une monarchie Une république Une province Une principauté Une baronie Un duché Un comté Un marquisat Un électorat Une seigneurie Un territoire Un pays Une nation La patrie Une viiie Une montagne Le continent Une rivière a monarchy a repuhlic a province, county a principality a harony a duchy, dukedom a county, earldom a.

Adriatique Africain Albanois Albanes, pi. Andalousien Apuliens, pL Anglois , Anthropophages, pi.

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Alois Auer Album der K. Les beaux arts Les belles lettres Biographe, m. Fine copy with the original embossed geometric blue covers in good condition and also the title label, as described by Mitchell, page Printed by Alfredo and Enrico Rossi. With 10 nature printed plates. Text by Octavio Paz. Les Éditions premières 15 hand-colored gelatin silver prints all mounted within the book.

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Holloway describes and reproduces him amply. This fine album with its bold line and outline shows across double pages both peaceful and complex compositions, generally using pale color, sometimes semi comic or more often simply pastoral, and occasionally devoting the composition to a sprig of plum blossom or a bird on a twig of willow.

The colors are quietly and subtly handled, the range very wide. Hillier has a lot to say about Bumpo in his Chapter 11, page onwards, and reproduces rather inadequately several examples from this book. Figure painted in black acrylic. Titled, signed and dated with pencil on sketchbook page. The five photos chosen for the work form a compact module directed toward livable and lived in spaces, houses for insomniacs. The text appears in blocks of varying sizes of type whose outline forms a border inspired by the drawings of houses.

From to , he produced more than photo canvases—landscapes of the outskirts of Barcelona— exhibited for the first time in at the Kunsthalle in Berne. In , he represented France at the Venice Biennial. His work, translated into German, English and French, is as difficult to decipher as his biography, a life he likes to invent through the course of his various interviews and encounters. His writing, infused with the Japanese aesthetic and photography, stands out for its radical minimalism.

Konstantin Grcic Born in Germany in His modular furniture, developed over the last few years mainly for Classicon and Magis, are among the designs that make him a major figure in contemporary design.

From Bustamante started a new series, 'Lumières', which are large black and white photographs, silkscreened onto plexiglass, and hung with four metallic hooks which maintain the image at a distance of about 10cm from the wall. The effect obtained is that the image is both projected onto the wall and reflected in the plexiglass - hence disturbing the viewer's vision. The viewer is confronted with an inderterminate space which cannot be focused on properly.

In the most recent series 'Aérogrammes' and 'Panoramas' the artist begins to explore a similar effect of uncertainty between space and surface - architecture and photography - with monochromatic colours and drawing.

Cloth-covered board box containing one loose page as issued, with offset lithograph with one line of text, in miniscule font: Sticker with title and press on cover; numbered on recto. Published by Michael Werner, Cologne.

Edition of 50 copies. Within the grid and beyond the pattern. Display copy n Every key of your keyboard on a page made with my own TypeFace Risograph printed on 90 grams paper spiral bounding , 70 pages Limited edition of ; signed display copy. Deluxe edition portfolio of only 10 copies consisting of compositions from the large-edition book of same title, printed on gram Munken Pure uncoated paper. With these dots, 8 different embroidery stitches can be made. A book without text, it reads easily, with work that displays some extraordinarily disciplined and dedicated research, placing abstract forms rhythmically with tremendous chromatic power and opulence.

Each color combination in this book appears only once. Deluxe edition portfolio of only 10 copies consisting of compositions printed on gram Munken Pure uncoated paper. Edition of only 10 copies. The sold out book was an Edition of With these dots, eight different embroidery stitches can be made.

When processed by the computer the stitches become lines and new graphic possibilities arise. Lines can be repeated or joined to form a longer line. Lines can be rendered with outline or without. Lines can be reproduced as form or as in-between form. Lines and in-between forms can be put on top of, one another in layers. Eight colors are employed in various combinations, with each combination appearing only once, generating 48 two-color combinations and 56 three-color combinations.

Four-color combinations yield 72 options. Hand sewn cotton leporello book, with screenprinting, in cloth box with colophon. Edition of 8 variants, with 2 AP. Each copy is signed and numbered. Each book is handmade from repurposed fabrics the artist found in Mexico City. She designed small buttonholes in between the panels so the work can be hung as a banner as well, choosing either side.

Hand sewn cotton accordion pleated leporello book, with screen printing, in cloth box with colophon. Edition 2 of 8 Each book is handmade from repurposed fabrics the artist found in Mexico City. She designed small buttonholes in between the panels so the work can be hung as a banner as well, choosing either side for display.

Carrieri was a leading photojournalist and cinematographer associated with the Italian neorealists. Carrieri spent time photographing in the suburbs as well as in the centre of Milan, focusing his attention mostly on the less glamorous working side of this hard Italian city.

The City and Its People. Published by Achille Mauri Editore. Agnetti, encased in printed cardboard box. Thermoformed plastic multiple and accompanying booklet with text on the artist by Vincenzo Agnetti, encased in printed cardboard box.

Published by Achille Mauri Editore, Milan. Cesar Rétrospective des sculptures. Grenoble, Knokke, Rotterdam, Paris. Tiré à la main. Numbered copy, signed by the artist. Text in French and Dutch. Loose as issued in publisher's box.

One of 20 copies on Japon Nacre, with frontispiece and the Justification page signed. First American edition, with two original lithographs specially prepared for this book and with beautiful color reproductions of the artist's works.

Illustrated are various drafts as well as the final versions of the 12 stained glass windows designed by Chagall one for each of the tribes of Israel for the synagogue of the hadassah-Hebrew University Medical Center. With 10 original etchings by Chagall. Loose as issued with slipcase. Book signed by author, artist and editor. Illustrated with etchings by Chagall. Folio, bound in original publisher's wrappers. Teriade Editeur, , Teriade Editeur, , first Chagall edition, two volumes, number of exemplars total edition , printed on Montval paper, signed by Marc Chagall on the justification page.

The complete book with the Bible text, illustrated with original etchings by Marc Chagall; pp. In very close to excellent condition. Size of each book 18 x Printed by Louis Fort. This is one of 15 deluxe copies on Japan paper, from an edition of Numbered 4 on the justification with the drawing.

Emily Charley An Album of British seaweed specimens , There is a full page poem about seaweeds which begins " The depths of the ocean, afford us a home, We ride to the shore on billows white foam" and is bordered by different types of seaweed. Included is one specimen collected from the Potomac River dated and another is sent from a friend "Lowestaft ". It shows us that the owner of this book kept on adding to it over 25 years and has been cherished for many years.

An early seaweed album excecuted with perfection and preserved in very fine condition. Translated from the French by John Spanton. First edition in English with the color wood engravings by Edmund Evans. Routledge first published Spantons translation in with merely one color plate, but for subsequent editions he had the present attractive blocked sunburst binding created and charged Edmund Evans to make color wood engravings not chromolithographs.

Most of the prints in the book illustrate the effects of neighboring colors on the appearance of a given hue. Because all the colors were shown in discrete relatively large areas, not overlapping with any other color, these illustrations were particularly suited to Evanss method of color printing" Friedman, Color Printing, n. The text was first published in Despite Chevreuls authorization of the translation, the text is shorter and condensed than the first translation, but this is the first edition to include the plates and a chapter on military clothing.

Birren on Chevreul, pp. This edition not in Birren Collection, Herbert, or Indergand. The color woodblock printing is sophisticated, imitating accurately the effects of the watercolor brush. There are amusing devices such as turtles aiming bow-and-arrow at a spread lotus leaf held out by another turtle; depictions of ordinary life of the fishermen coming home with their catch; bold and excellent compositions of flowers and leaves in a remarkable number of colors; a boat party on a lake by the mountains; a bird flying into wisteria; a marvelous great kimono whose wearer sits at her calligraphy.

Jack Hillier, an authority on the art of the Japanese book, used the illustration of mountain pines on the cover of his definitive study on the genre Ehon.

This is a superb copy, the printing particularly clear. Thread-bound book; 26 illustrated sheets and three sheets of text; woodblock; ink and color on paper.

Signed, with red seal. This work by Chinnen must rank high among the whole large group in book history which illustrates the ordinary doings and customs of the day.

Hillier admires it especially: Soft transparent pastel-like shades were employed and used broadly over areas sufficiently large to enable one fully to savor individual colors", and he reproduces several of which one can most enjoyably admire the double page of preparing nori seaweed.

The colors are less brilliant than in the "Sonan Gafu" by the same artist but the effect is not less dashing. Chinnen's books follow across more directly from one page to the next book. Original binding of silver printed over pale blue paper covers. Loose sheets in cream paper portfolio. This copy has a dedication and includes a drawing by Cocteau, dated , on the title page.

Unique screen printed book, 22 pages, all pages glows in the dark. The pages are overprinted with a layer of transparent phosphorescent paint. Phosphorescence's slow time scale of re-emission of light is associated with "forbidden" energy state transitions in quantum mechanics. And of course, as in quantum mechanics, you can appreciate the Doppelgänger books in different states: Turning a flash light on and off will revel the duality of the work like an x-ray.

Unique screen printed book, 24 pages, all pages glows in the dark. A unique book featuring 32 original art works. Each piece is a screen printed monotype in which we push the boundaries of the serigraphy technique as well as experiment with forms, colors, layers and composition. It plays with a conceptual mise en abyme as well as refers to the textual whole of the work.

Salamander Editions [Joseph Cornell], Original printed stapled wraps. MARIA was privately printed by Cornell in an edition of about copies and given away to his friends as presents. The work was inspired by nineteenth-century opera singer Maria Malibran-Garcia and was produced with the same precision and care Cornell brought to his other work.

It is in many ways a Cornell work in book form with the appropriation of text, the use of a decorative headpiece from yet another book, and dealing with one of Cornell's signature obsessions. A twenty Page bond artist's book consisting of ten double page screenprinted color images, bound in a grey cloth cover and contained in a matching box, plus a separate copy of one of double page images screenprinted on two loose sheets. Each page measures The specimens are pressed on the sheet with a seperate letterpress card with Genera.

This fine set is complete and in very fine condition. Ansberque Cusin Herbier de la flore Française , Folio with 12 volumes of over nature-printed plates depicting plants of which the flowers are enlarged and handcoloured.

The "procédé phytoxygraphique" or nature-printing gives the precise outlines and finest details of the plants with the greatest exactness.

The flowers of the depicted plants are drawn enlarged and are almost all handcoloured. One of the largest "herbiers" ever published and the largest nature-printed plant book ever made!

They give the actual appearance of the plants very accurately and the separate drawings of the flowers in colour are well done". With 12 color lithographs. This Don Quixote trilogy is comprised of Don Quixote: The Warrior's Heard, Don Quixote: In this trilogy Dali depicts Don Quixote, Cervantes' idealistic Spanish nobleman who fancied himself a knight fighting the world's injustices; he saw flocks of sheep as enemy armies, and served the causes of truth and beauty.

It has been said that Don Quixote's quest was an allegory of the eternal search for goodness and truth, with an idealism that appeared to be madness in a world that sometimes viewed heroism and love as a form of insanity.

How interesting Dali must have found this satirical romantic! The play suffered terribly on opening night, but thanks to the ingenuity of the actor Frederick Lemaitre and some major revisions, it soon became quite popular.

Frederick Lemaitre turned the character into a proud, confident, and devious swindler. For a whole year the artist kept a record of the different bruises — accidental she points out — she detected on her body. She opted for close-up framing in order to reinforce their plastic quality.

What they form appears to be sensual and abstract landscapes. We called upon Pierre Charpin because we felt he would be most apt at entering into dialogue with the artist and the author, being particularly sensitive to the metamorphic quality of their language. The casing is made up of two shells in molded plastic that are fitted together with magnets.

Her work has appeared in a number of personal exhibitions: He teaches literature in New York where he lives with his family. In tandem with his limited editions, and prototypical studies, he collaborates with various companies as Post Design, Zanotta, Montina, Venini, Alessi… He was awarded Designer of the Year at the Furniture Salon in Paris The book is a work of psychogeography, detailing a period in Debord's life when he was in the process of leaving the Letterists, setting up Lettrism International, and showing his 'first masterpiece', Hurlements en Faveur de Sade Howling In Favour Of Sade , a film devoid of imagery that played white when people were talking on the soundtrack and black during the lengthy silences between.

Credited to Guy-Ernest Debord, with structures portantes 'load-bearing structures' by Asger Jorn, the book contains 64 pages divided into three sections. The first section is called 'June ', and starts with a quote from Marx: Let the dead bury the dead, and mourn them The second section, 'December ', quotes Huizinga, and the third, 'September ', quotes Soubise. The work contains two separate layers.

The first is printed with black ink, reproducing found text and graphics taken from newspapers and magazines. The second layer is printed using coloured inks, splashed across the pages. These sometimes connect images and text, sometimes cover them, and sometimes are seemingly unconnected. The black layer contains fragments of text, maps of Paris and London, illustrations of siege warfare, cheap reproductions of old masters and questions such as 'How do you feel about the world at the moment, Sir?

A bound volume of the Numbered Limited Edition of 1, copies, this being Exemplaire No Of 40 plates [executed c] of which 10 are in colour. Printed on water marked " Marais" paper, the monochrome plates are evenly browned as usual to varying degrees. Small folio 12"x9" with Ballet plate facing the half title and frontis portrait. With 25 reproductions on clear acetate of the X-rays, which were printed on aluminum..

Black soft rubber end leaves. Delvoye, with the help of a radiologist, had several of his friends paint themselves with small amounts of barium and perform explicit sexual acts in medical X-ray clinics.

Un rayon de bonheur". Complete with the page English translation bound in at the back. Thick large 4to, full leather mosiac binding by Creuzevault with simulated wood grain covers and slipcase.

The Artist and the Book A page linen bound book with text by Christopher Bucklow to accompany the exhibition of the same name held in at the Ingleby Gallery, Edinburgh, Scotland, of photographs of the River Taw and sea shoreline. This book contains a unique photogram, a fragment from the first works that Derges made on the River Taw in Title-page and 33 pages each with a photo in colour, back-page with imprint, numbering and signature, japanese binding, in white cardboard box with title on spine.

Combined with the omission of color, this leads to an architectural lightness that infuses the relief with a harmonious and balanced effect. Herman de Vries created his first white collages in The artistic starting point is the new beginning, the zero point, the search for an objective art that is shorn of emotional value. It was the most important time for me personally.

Printed in west Germany. In English - Robin Redbreast's territory: Text in Dutch, English, French and German. He describes how he 'laid out the form of the new territory with small poles, like a drawing on the ground,' thereby drawing the robin out beyond the thicket in the Amsterdam park that was its customary habitat. The sculpture was comprised by the movements of the bird between the erected poles. Complete set lacking only the second supplement of Roth to the second volume which consists of blank black and white pages with black cover; otherwise complete; in fine condition.

Mark Dion Fragments of travel, exploration and adventure , Christophe Daviet-Thery and XN editions In his first book project Dion assumes the guise of an 18th or 19th century scientist who explores an unknown land he kindly includes a buffalo leather pop-up map of this terra incognita and exhaustively documents the native flora and fauna.

The book is exquisitely constructed to convincingly carry out this fiction: Contains twenty-seven bound-in lithographs, offset printed; six bound-in digital prints; five loose lithographs, offset printed; and two loose digital prints. Edition of 36 with 9 A. Edition of 6 deluxe copies with original drawing. Released in , the SMS portfolio represented a collaboration between some of the most important artists of the 20th century. Frequented by artists, curators, performers and composers both accomplished and aspiring, Copley's loft became renowned for its utopian morale and hospitable working conditions, which included "a buffet perpetually replenished by nearby Zabar's Delicatessen, an open bar, and a pay phone with a cigar box filled with dimes.

Soft photographic cover, open slipcase, original cardboard ribbon. Direction, book design by Kitadai. Limited copies, numbered. Tokyo Metropolitan Museum of Photography, , p. The Japanese Photobooks of the s and 70s. Graphic Shûdan was founded in with: The group was created around Kitadai, a member of the Experimental Workshop Jikken Kôbô with cooperation of Ôtsuji, also a workshop member, and Shuzo Takiguchi, the founder of the workshop He is a surrealist poet, a Contemporary Art critic, an adviser of almost all Japanese avant-garde artists, a bit like Duchamp.

First published as a prototype of advertising, the books appear to be a showcase for experimental photographic methods with a taste of humor.

Artistes Divers DA Dessins. Librarie des Arts Decoratifs , s Portfolio of new and modern collection of Trademarks from the time period. Complete with 64 colored plates. Ausstellung Des Seutschen Reichs , These were painting manufacturers catalogues for craftsmen who would be able to copy the designs shown as well as order the actual paint colors being shown.

The back of each volume shows what paint colors were used for each design on each page. Folio containing 8 color pochoir plates each with 5 to 6 different designs on each page. Missing 1 color plate to be complete. International Business Machines, Very Good A collection of photographs, primarily 3 x 4 inches, in an old Minox Print Album, documenting various IBM facilities, mostly related to final packaging of equipment.

The album sleeves are coming apart, and would benefit from relocation into another format. The photos themselves are generally in good shape with good contrast. We left them in this album to preserve their order. A few images have been removed if ever there. One appears to be a punch-card machine read to go. We see what appear to be high-speed line printers, reel-to -reel tape drives, and smaller terminal printers in this group. There is also a pocket in rear with some very small negatives a quick view appears to be more than half family images, with a few that might be manufacturing related, though what and where we can't tell.

Perhaps these are clues to the owner if blown up to viewable size. In our experience photograph albums that document any portion of the computer industry are scarce on the market. These don't appear to be professional images some of the images aren't exactly complementary from a packaging perspective and are likely to have been taken by someone who worked there or a tour group member. Near complete 29 issuse minus n.

Complete Review in original general folder-cases made in grey cardboard and linenprinted Rokkor in the back. All in excellent shape. Dai Toa Kensetsu Gaho , Kimura, Kanzano, Sekiguchi, Nishino, Sakaguchi. Front is a tour-de-force of design and photography: Essentially a propaganda magazine it was intended for foreign audiences and presumably distributed to embassies. It was apparently published in fifteen languages.

Front was a propaganda magazine intended for foreign audiences launched by Tohosha, a publishing company established by members of the International Press Photography Association, at the behest of the army General Staff office with funding from private corporations. A large-format pictorial magazine, it was produced in fifteen languages and distributed to the countries of the Greater East Asia Co-Prosperity Sphere. Each issue was devoted to a particular subject e.

Toward the end of the war the magazine moved to the building that housed Mojima Yasuzo's photography studio, but the offices were destroyed in an air raid in , along with the "Tokyo at War" issue, which had just been printed and remained undistributed.

Altogether, nine issues were published. After the war, the staff set up a short-lived publishing company, Bunkasha. A facsimile edition of Front was published in three volumes in Portfolio with 7 original etchings in color, each with poems by a contemporary writer. Folio, loose in printed wrappers with cloth slipcase.

Extra suite of the etchings, each signed by the following artists: Portfolio containing 14 original graphics, each accompanied by poems of a contemporary writer. Folio loose in printed wrappers and cloth slipcase. Each front cover is an original lithograph, 13 of the 15 lithos are in bright colors. Included also is 2-page foldout with the title, contents and introductory text by Asger Jorn.

All housed in a fragile paper case with a color-lithographed design. The 15 fascicules are in perfect condition, the case with a couple of very insignificant creases and one flap slightly repaired; a far better than average copy. This "experimental art encyclopedia" is a historically very important document on the CoBrA art movement. Poeme de Paul Eluard. Each etching signed by the artist.

Loose in gray laid paper-covered boards with black cloth spine and tie strings. With 20 full page original graphics, either lithographs or etchings. Edition limited to copies. With 20 original prints by the leading artists of the 'Ecole de Paris': On Japan paper with a suite on Arches paper of all the plates in the book.

Oblong 4to, publisher's white portfolio, outer ruling in black and white, upper side with embossed metal pieces of Renault's emblem and a small star, blue paper doublures with geometrical design in black.

One of Draeger's finest productions for the celebrated French car-maker. An artist's book interspersing typographical images of vertical lines or steel piping with their photographic corollaries; minimal text. Near fine in wrappers. Jan Vercruysse, First Edition. An artist's book with a single photograph on the front cover; contents are repetitive vertical lines and typography riffing off the parallel steel rods of the cover image.

Staple to the front cover, else near fine in perfect bound photo illustrated wrappers. An artist's book of 64 photographs of steel pipes in 14 documented locations. Undervalued, especially in relation to other similar artist's books of the same era.

Near fine in stapled wrappers. Dobke, Books and Multiples, pg. Dieter Roth Drawings 27 Drawings made on the aeroplane , Signed in Pencil on cover- 40 kopiebuch. Published by Dieter roth's Verlag, Basel. Edition 2 of 10, numbered and signed, roman numbering. Artist books - Dieter Roth: In Roth created entire series: Published by edition Hansjorg Mayer, Stuttgart, London.

This is the copy n 41 of Published by Stedelijk Museum, Amsterdam. Letterpress and pen on white paper, in paper cover. Edition of , numbered and signed. Artist's book in the form of issue 9 of11 issues, an anti-magazine which was part of the Gorgona group.

Each issue with an original stupiogramme drawing by the artist. The art group Gorgona existed in Zagreb from until A very fine copy! Text by Octavio Paz. Abrams, New York, New York, The occasion was a famous exhibition of avant-garde art in Amsterdam in , 'Bewogen Beweging' Moving Movement. Uncut in very fine condition. The art magazine edited by Christian Zervos featured the Large Glass in The cover consists the contrast of two complementary colors, that is, red and blue.

Staring at this cover,the blue color part is sunk and the small heart at center floats in blue back. The pursuit of such a illusional visual eftect was Duchamp's life-time theme. Marcel Duchamp La boîte verte.

La mariée mise à nu par ses célibataires, même The Green Box. One color plate and 93 documents reproduced in facsimile in the collotype printing plants of Vigier et Brunissen, Paris box, lined in green silk.

Signed and dated in orange inside box spine. Aaron and Barbara Levine. Hand bound book with laser cut leaves. Signed on inside with two original color photographs. Book is housed in a hand sewn white cloth bag with yellow letters "TE". Sold to fund a road trip undertaken by the artist from San Francisco to New York. Emin sold the book at galleries and other venues where she would give one-night performances reading from it.

The text is fractured into seven modules, each contained within a uniform yellow form whose outlines recall the design of the casing. His is one of the pioneers of color photography in the United States. To this day he has had five books published: His last novel, An Outline of the Republic published in England and India as Surface has just been published in paperback. Bibliographic information QR code for Terre promise d'Afrique.

Symphonie en noir et or Léopold Sédar Senghor. André et Pierre Gonin, Oblong folio, beautiful mulberry morocco with abstract pictorial design based on frontispiece image, with brown, turquoise, gold, black, and white onlays on both front and rear covers, author and artist's names in white along spine, by Legatoria Artistica Ascona; original pictorial wrappers bound in; suede-lined morocco-backed faux bois covered chemise and matching slipcase.

Cramer 39; Cailler André and Pierre Gonin, With plates 13, 17, 28, 33 signed "Max Ernst" and missing plate 32 - incomplete lacking one plate. Numero Special de la Nef. One of only 65 copies printed, with two colour lithographs by Ernst. Compiled by Breton and Péret, the Calendrier tour du Monde des Inventions Tolerable is an ingenious and witty look back at great discoveries from the whimsical to the monumental. Signed on the colophon by both Breton and Ernst. Guggenheim Museum, Max Ernst: Book-Sculpture with 12 Acrylic cubes with small figurines mounted in chrome on the book 'Infra-Noir'.

With text by Claude Pelieu, published by Soliel Noir. Artist Book with 12 acrylic cubes with small figurines inside.

Copy n 77 of Copy from the regular edition of , containing 18 original woodcut prints by M. Escher 6 full-page plates, 10 majuscules, 1 tailpiece and text by Jan Johannes Lodewijk Walch about the witch of Oudewater. Eugenius Johann Christoph Esper 1. Icones Fucorum cum characteribus sytematicis synonimis auctorum et descriptionibus novarum specierum. Abbildungen der Tange mit beygefügten systematischen Kennzeichen Beschreibungen der neuen Gattunge , Contemporary half calf, richly gilt ornamented spines, with blue and red gilt lettered labels, marbled sides.

The hand coloured copper engravings are by Esper. Volume I constists of 4 parts and volume II of 3. The plates are superbly handcoloured. A very fine and clean copy. Printed 24 pages 24 one-sided four-colour laser copies, bound, handwritten title. A4, oversize, stapled, adhesive binding, in plastic transparent folder packaged in a fiberboard envelope bearing an imprinted label. Written in , published in Published by Dieter Roth's Verlag, Basel.

Original covers by Dieter Roth. Dieter Roth Essays Ein Essay: Uber das Verhalten des Allgemeinen zu oder gegennuber dem Besonderen bzw. Printed by Prentsmidja Jons Helgasonar, Reykjavik. Printed by Prentsmioja Jons Helgasonar Reykjavik. This is one of the printer copy so not numbered but signed , dated Publoshed by Verlag, Reikjavik. This is copy number of Dieter Roth Essays Franz Eggenschwiler: Published by edition Hansjorg Mayer Stuttgart.

Thereof numbered and signed as introduction to a portfolio of prints by Franz Eggenschwiler. Printed by Prentsmioja Jons Helgasonar. Published by Verlag Reykjavik. This copy is one off the printer copy and is not signed. Dieter Roth Essays wer war mozart ein essay von d.

Printed by prentsmioja jons helgasonar reykjavik. Published by verlag reykjavik. This is the printer copy so unsigned. Constantin Ritter von Ettingshausen Pflanzenfossilien von Radoboj. With 95 nature-printed plates and text-illustrations physiotypes. Unbound in the original half leather box. Report on the work Physiotypia plantarum austriacarum.

With 10 nature printed plates. Luciano Fabro Ogni ordine e contemporanea d'ogni altro ordine: Redentore in Venice , BK. Silkscreen folio in cardboard dust jacket 59 tables Edition n 55 of copies signed and numbered. Printed by Alfredo and Enrico Rossi. Published by Alfredo and Enrico Rossi with the artist This work is a screenprinted line drawing of the façade of SS Redentore with three variations on the proportions invented by Fabro.

Translation of the Preface: Dante, in the Convivium, indicates the reading of works of art according to four senses or interpretations: I built this work because it is readable parallel along these ways. Each order is contemporary of every other order: I translated The co-planarity in contemporaneity.

I have broken down the three architectural orders of the facade of the SS. Redentore as if Palladio had kept them in the wild, varying from time to time the spatial dislocation: Adam and Eve of van Eyck, higher, far from each other: Abuse of the philological method in the examination of the facade of SS. It cannot have a genuine love of order without the denial of the order.

Every problem is a will. The second occurrence is when he wonders where his lover ends: Curves and snakes, light and mother-of-pearl, shadows and earth: Feinstein altered a 19th century Victorian album containing mounted specimens of seaweed by adding fragments of erotic black and white photographs. She manipulates the given objects and photographs as collages that provoke voyeuristic associations.

A poem on one page, nine pages of images. She was drawn to the photographs of the Château de Groussay in France, once owned by the bon vivant and aesthete Carlos de Beistegui. Images of objects and interiors of the château are cut and manipulated by the artist, then collaged onto pages of a found object, a wallpaper sample book juxtaposing the opulence of the interiors with s kitsch. Wallpaper sheets with collage, rivet bound in red cloth-covered boards, 85 pages.

Wood box with sliding plexiglass lid comprising a folder containing 25 photographic reproduction sheets on card, showing in close up the left hand of various artists including Andy Warhol, John Cage, Christo, Roy Lichtenstein, Arman, Jasper Johns, Ray Johnson, Alison Knowles, and others. The plexiglass cover is imprinted with a silkscreened palm covered with annotations in red. Text by artist in German. In perfect condition; increasingly scarce as each contribution belongs in the oeuvre of the respective artist.

Signed and numbered in red inside back cover. Fischli, Peter and Weiss, David. Book signed by both artists along with a photograph signed on the back. The book uncut along with signed and numbered "LF"pink elliptical multiple.

Brossura editoriale in cartoncino floscio con titolo sul piatto superiore e astuccio. Complete and in original portfolio with ties in fine condition.

Ben Franklin Full sheet of nature printed American currency from Hall and Sellers printed front and back showing 8 Notes on the one sheet. The algae of the Dalmatian coast. With 26 nature printed plates. Published in Paris from Aux Depens d'un Amateur,with suite and 3 extra drawing. Copy number 7 of Goldilocks and the three bears, a Cosmic Fairy Tale. Black and white photographs. In a gray dropback box.

With an extensive, analytical Introduction by Amei Wallach. Large folio; 34 UV coated, color photographs; full-back leather; blind-stamped colophon on orange hand-made paper, laid into black hand-made paper covered clamshell box, black ribbon tie; illustrated label affixed to box recto.

Artist book of white, pop-up landscapes inspired by the popular non-fiction novel Devil in the White City by Erik Larson, an account of the architect responsible for the Chicago Worlds Columbian Exposition and the serial killer who worked in its midst. Gabbiani has painstakingly cut in white paper miniature the architectural structures, most notably the Ferris wheel, that reveal the magical appeal and horrifying events of that Worlds Fair.

Edition of 20 copies with deluxe copies, each having a print with the book. This has the print and is 4 of FIRST artist's book of white, pop-up landscapes inspired by the popular non-fiction novel Devil in the White City by Erik Larson, an account of the architect responsible for the Chicago Worlds Columbian Exposition and the serial killer who worked in its midst.

Edition of 20, this being copy number Both see their work-the roman noir and photography respectively-as a form of very effective militancy. He is considered to be the best photojournalist in modern-day Mexican history.

He lives in México City. He has had some fifty books published, among them Four hands, St. He is considered a leading figure in the genre of the roman noir. P September Graphic design: We follow the inner dialogue of a Mexican in his eighties, a millionaire, obsessed by sex, about to take to the road. He is on his way to Ciudad Juarez to steal an Aztec mask of inestimable value from his twin brother. Each work contains 4 diptychs made of two prints, opposite each other, with the shape of a creek cut out of the text block.

Recognized as one of the great figures of Latin American photography, Paolo Gasparini has spent a large part of his life in Cuba and Venezuela. The author of Para verte major, América Latina, a seminal book in Latin American photography, he captures in his most recent publication, Megalópolis, the fascinating horrors of three urban universes: He is a photographer whose work is strongly rooted in the present, not so much by its iconographic topicality as by the connotative force of the images selected, which lay bare the timeless instant of the shutter release.

C May Graphic design: Side-stapled in original photo-illustrated wrappers. Mizugi no Yangu Redii-Tachi: Benjo contains a series of photographs taken in Tokyo restrooms of the toilets and attendant graffiti.

Each page of Mizugi no Yangu Redii-Tach contains three photographs showing different young women on the beach in bathing suits. Below each photograph is the girl's address and telephone number, half of which are allegedly made up, the rest genuine according to Shuji Terayama, who apparently tried phoning all of them.

The last book, Five Girls, contains photographs of five models posing in various styles. Soft cover- Luigi Ghirri 5 January was an Italian photographer. Born in Scandiano, Ghirri began taking photographs in , mostly working in a milieu of conceptual artists. From he focussed primarily on photographing architecture and the Italian landscape.

Ghirri also was notable for organising such exhibitions as Iconicittà , Viaggio in Italia , and Esplorazioni sull via Emilia A rare title of one of the best known italian photographer. In particular, Ghirri's poetics of space moves from insistent decontextualization and estrangement to a notion of affective space, combining a sense of inhabiting with one of errance, a fascination with the new with a nostalgia for the old and the marginal, and a critique of contemporary society with an attachment to a sense of place and of the individual as vanishing traces.

Articulation , The complete two volume portfolio, comprising screenprints in colors, signed in ink on the title page, the full sheets, in good condition, contained in the original gray linen-covered folders and slipcases 2 volumes.

Articulation Zucker Art Books. Noriko Ambe Linear actions cutting projects voyage 4 , cuts on yupo framed Price Upon Request. Noriko Ambe voyage 14 , BK Hand cut notebook of the artist. Noriko Ambe voyage 14 Zucker Art Books. Snow Crystals , In Dr.

Snow Crystals Zucker Art Books. Edme Ansberque Flore Fourragere de la France , plates printed in powdered red sanquine. Olivier Andreotti Price Upon Request. Noboyoshi Araki Shinjuku yo! Noboyoshi Araki Tokyo Autumn. Noboyoshi Araki Midori , Paperback with printed cover.

Noboyoshi Araki Araki Nobuyoshi: Tokyo Elegy , Paperback with illustrated dust-jacket and bellyband. Tokyo Elegy Zucker Art Books. Noboyoshi Araki Images of violence: Actress , Price Upon Request. Actress Zucker Art Books. Noboyoshi Araki Tokyo , First Edition. Nobuyoshi Araki Oh Nippon! After hundreds of books and significant fame, it remains Araki's best and most influential work Price Upon Request. Sentimental Journey Zucker Art Books. Hans Arp Soleil Recercle. The Suite Zucker Art Books.

Vol , ,20 , Tokyo: Vol , ,20 Zucker Art Books. Japanese Photography Artistes Divers Ken , Ken was published by Shaken, a company established by the photographer Tomatsu Shomei, who provided the cover photograph for the first issue. Cyanotype Impressions Zucker Art Books. Poligrafisch-illustrierte Zeitschrift , BK Monthly Illustrated magazine for Art, Science, Industry, and Social life the early, important compendium of printing methods and techniques. Poligrafisch-illustrierte Zeitschrift Zucker Art Books.

K Hof- und Staatsdruckerei , 2 volumes containg 8 nature printed plates. Tauba Auerbach [2,3] , BK Synopsis: Tauba Auerbach [2,3] Zucker Art Books. Stein, Price Upon Request. Edition of 20 copies Price Upon Request. Snow Crystals , 12 x 10 in. Alighiero Boetti , BK Signature red cloth cover with photocopies of newspapers and some of his earlier pieces. Une aiguillée Le chas Uiî paraplaie Un parasol a needIe-fuU tlie eye of a needle an umbrella a parasol una gugliâta la cruna un ombrello ombrellîno, parasole Une bavette Un bomreîet La lisière La jaquette Le fourreau Le béguin Les langes Layette, f.

De la toile linen cloth Toile grossière dowlas d'Hollande Holland cloth de coton calico de coton des Indes India calico De la flanelle Du damas Du drap De î'écariale De fa fntaine Du basin Du bombasin De la batiste De la moosseîine Du caraelot Du canevas De la caiiTiande La lisière da drap Dn brocard Du bongran Delà frise Du linge ouvré De la pîuche fiannel damask woollen cloth scarlet cloth fustian dimity bombasin cambric muslin camblet canvas callimaneo tlie list of cloth brocade buckram frieze diaper plush lela, f.

Etoffe de soie silk stuff drappo di seta Etoffe de laine woollen stuff drappo di lana t6cca,f drappo di se- De la gaze gauze Du crépon thick crape del crespoue , [ta Du tabis tabhy del tabi Du linon lawli tela di rensa De la laine filée worsted stame, m. Du point point punto, m. Un ministre Un curé Une paroisse Un diacre Un soudiacre Un vicaire Un vicariat Un clerc Un abbé Une abbesse Un prieur Un prieuré Un chapelain Un missionnaire Un prédicateur Un confesseur Un lecteur Un chantre Religieux, moine Une religieuse Un marguillier Un sacristain Un hermite Un anachorète Un fossoyeur a minister, parson a parson, rector a rectory a deacen a suh-deacon a vicar or curate a vicar ship a cîerk an ahbot an abhess a prior a priory a chaplain a missionary a preacher a confesser a reader a chanter, cJiorister afriar, monk a nun a church-warden a vestry-keeper a hermit an anachorite a grave-digger un ecclesiâstico un pârroco, curâto rettoria chiesa par- un diâcono [rocchiâle un sod diâcono un vicârio un vicariâto un chérico un abâte una badéssa un prière.

Idolâtrie idolatry r idolatria, f. Amende Jine, fo rfeit Bannissement, exile baniskment Bastonnade Baguettes, f. Blâme, reproche Captivité bastinado gantelope blâme, dispraise caplivity H una multa, ammenda bando, esilio la bastonâta le bacchétte biâsimo, rimprovero cattività, schiavitù. Gibet, potence Ignominie Indigence Infamie Limbes, m. Halte hait alto Invasion invasion una invasione Incursion incursion una scorreria Infanterie infantry,foot r infanteria Illuminations illuminations le illuminazionl Légion légion una legione Levée levy una leva Levée d'un siège raising of a siège levâta d' un assédio Militaire warfare vita militâre Menaces threats le minâcce, pi.

Paix peace la pace Patrouille pairole la pattùglia Prisonnier prisoner un prigioniéro Pillage pillage, plunder un sacchéggio Poursuite pursuit, cliase una câccia Parti party una partita, e banda Parti de traîneurs straggling party partita di soldâtisban- Perdus, égarés missing soldâti smarriti [dâti Poignée de gens liandful ofmen poca gente Peloton platoon uno squadrone Phalange phalanx una falâiige Quartier général liead-qiiartcrs quartiére générale Quartiers d'hyver winter-quarters quartiéri d'invérno Réjouissances rejoicings testa, allegria,f.

Rapine rapine rapina, ruberia, f. Reddition d'une place surrendering of a la resa d'una piazza Rançon ransom yplace riscâtto, m.

Coup de canon Une salve Une arme à feu Armes blanches Laraousquéterie Un fusil Un mousquet Une monsquetade Un mousqueton Une carabine Une arquebuse Un pistolet Monture d'une arme stock of a gun La crosse [à feu the but-end una miccia corda, miccia, f. Barricade Bastion Batterie Boulevard Casemate Château Citadelle Chemin couvert Cheval de frise Courtine Contrescarpe Contre-garde Démi-lune Défense Escarpe Esplanade Embrasure Echaiiguette Fossé Fraises Fascine Fausse-braye Fort Forteresse Fortin Gabion Gabionnade Glacis Guérite harricado bastion hattery hulwark, mound casemate castle citadel covered way chevaux de frise curtain counterscarp counterfjuard half-moon defence scarp esplanade embrasure, port-hoîe watch-tower moat, dite h fraises fascine false trench fort foriress littlefort gabion gnbionade glacis Ouvrages avancés Ouvrage à corne à couronne Parapet Palissade Plateforme una barricâta un bastione una batteria baluârdo, terrapiéno una casaraâtta un castéllo una cittadélla strada copérta cavallo di frisa una cortina una contrascârpa una contragguârdia una mezzaîûna una difésa, o ripâro una scarpa una spianâta una cannoniéra veletta o vedetta, f.

Une flotte afleet una flotta, armâta Une escadre a squadron una squadra La marine the 7iavy, sea affairs la marina L' amirauté the admiralty ', the Tammiragliâto la giunta délia marina la flotta reâle una flotiglia la flotta délie Indie navy office Bureau de la marine navy-board La flotte royale the royal navy Une flottille aflotilla La flotte des Indes the Indiafleet La flotte d'Espagne the Spanish Armada la flotta Spaguuola Une armée navale Armada, large jieet un' armâta navale Les forces navales sea-forces le forze navâli Les vaisseaux shipping flotta, f.

Navire, vaisseau sMp orvessel nave, f. Les ponts the decks Le tillac L 'écoutille the liatchway Le sabord the port-hole Kang de canons tier of guns Canon de 12 livres de a twelve-poimâer balle Un pierrier Le stribord Le bâbord Le bordage L 'abordage La voile Le mât Les gémelles Le grand mât Les voiles latines Les mâts majeurs Les mâts de hune il bordo o i ponti d'un i vascéllo deck or quarter-dech la tolda, o sopra cô- 11 boccapôrto [pérta la cannoniéra [noni una batteria di can- cannone di dodici libbre di portâta un petréro, cannonci- a swivel the starboard ofa ship la parte destra [no the larloard ofa ship la parte sinîstra the side of a ship il bordo the loarding V abordâggio the sail la vêla the mast l'âlbero the cheeks of a mast le lapâzze the main-mast the lateen-saiîs the loweî' masts the top-masts V âlbero di maéstra le vêle latine gli âlberi raaggiôri âlberi di gâbbia, o so- X prapposti âlbero di trinchétto Mâts de misaine ou the fore-mast d'avant [timon Mât d'arrière owd'ar- the mizen.

Méchantes raarchan- trasli of goods robâccia, f. Négoce trade negozio, trâffico, m. Oublie,paio à cache- wafer ostia, f. Opulence [t er opulence opulénza, f. Offre offer offérta, f. Quittante acquittance, receipt quitanza o quietanza Rente viagère annuity for life un vitalizio Rabais drawback ribâsso, diffâlco Revenu income la réndita Reçu receipt una ricevûta Rechange re-exchange ricâmbio Regrattier regrater rigattiére, rivendû- Remboursement reimbursement rimborso [gliolo Rémise remittance rimessa, tratta [pi.

Règlement de settlement of accounts aggiustamento di Risque [comptes. Une once Une demi-once Un quart Un quarteron Un livre Une demi-livre Un quintal Poids de 14 livres Un demi-setier Un pot Une pinte pinte a pint Une chopine ou demi- a half-pint Deux quartes apottle Quatre quartes a gallon Un baril a barrel Uue barique, unmuid a hogshead Une pipe a hutt or pipe Un tonneau a ton JJn picotin a peck tJn boisseau a bushel a weight un peso , troy-weigJit peso di marco a balance, pair of seules una bilâocia a steelyard una stadéra auncel-weio'ht uno staderone una bilancetta îo stilo, il fusto -!

Revendeur huckster, chandler Rentrayeur fine-drawer Rôtisseur cook-shop keeper Rôtisserie cook-shop Regrattier chandler, huckster Raccommodeur de chair-mender Renoueur [chaises hone-setter Savetier Saunier Sellier Serrurier Serger Sculpteur Sculpture Sérancier Sage femme, f.

Denteleur de roues Dévidoir, m. Forme brisée anvil hlock for hatters stretclier Flamme, f. Pierre à aiguiser Pincettes, f. Pilon et mortier Perçoir, m. Règle Rouet à jSler Roue, f. Petite scie Serpe, f. Alchymie, f, Alchymiste, m. Astronomie, f, Astronome, m. Les beaux arts Les belles lettres Biographe, m. Chroniqueur libéral a7'ts epitome academy academician alchymy alchymist anatomy anatomist apothecary pharmacy architecture architect arithmetic arithmetician astrology astrologer asironomy astronomer àlgehra algehraist annalist surveyor surveyiiig an author libéral arts arti liberâli, f.

Humanités, belles ; lettres Interpolateur, m. Rhéteur Rhétorique Roman Romancier Savans, m. Parties d'oraison Nom, m. Verbe actif, passif, verb active, passive, verbo, attivo,passivo. Mot indéclinable Mot composé, m. Tiret - Parenthèse, f. L'arithmétique Un arithméticien Un nombre Un tout L'algèbre Un chiffre Un zéro Une fraction Dénominateur Nombre Dixaine Centaine Mille Numération Numérateur Addition Soustraction Multiplication Nombre à multiplier Multiplicateur Division Nombre à diviser Diviseur Le quotient Réduction Règle de trois aritlimetïc an arithmetician a numher an inieger or whole algehra a cypher figure a nought a fraction denominator units tens hundreds thousands numération numerator addition subtraction multiplication multiplicand multiplicator division dividend divisor quotient réduction rule ofthree aritmética, f.

Vingt-mille Trente-mille Quarante-mille 71 Lxxi. Livre de musique La gamme Les notes Une ronde Une blanche Une noire Une croche Double-croche Triple-croche Les silences Une pause Une demi-pause Quatre soupirs 8 demi-soupirs 16 quarts de soupirs 32 demi-quarts de Une octave [soupirs Un demi-ton Un dièse Un bémol Un bécarre Une cadence Une liaison Un fredon La reprise Un intervalle Les proportions Une clef Clef d'ut ou soprano Clef de sol Clefde fa ou de basse La basse chiffrée Ton majeur Ton mineur - Une mesure Le temps music-hook gamut, scale the notes a semihreve a minim a crotchet a quaver semiquaver demisemiquaver the rests 1 semihreve rest 2 minim rests 4 crotchet rests 8 quaver rests 16 seyniquaver rests 32 semiquaver rests an octave a semitone a sharp a fiât a natural a cadence, shake a hind slur trilling, a shake a repeat an interval the proportions a cliff or key soprano cliff the trehle cliff the hass cliff the thorough bass major key minor key a bar time DELLA MUSTCA.

Les instruments Basse de viole, f. Une opale, un girasol an opal stone Une eirasol a s: La gomme L'ambre, m. AmbregrJs L'ammoniac Basilicon Benjoin, m. Mastic gum amber ambergris ammoniac basilicon benjamin bitumen camphirc galbanum guaiacmn manna mastick la gomma r ambra, f.

Un camarade Un divertissement Une plaisanterie Un plaisant Un badin Un persifleur Une réjouissance Une bouffonnerie Le rire Des balivernes Un jouet Un enjouement Plaisir, passetems Une récréation Une drôlerie Un jeu Jeu de hazard playfellow diversion jolie a joker a wag a jeerer jollity, merriment drollery laaghter silly stories a laughing -stock mirth pastime, sport récréation waggery a game chance play compagno, camerâta, un divertimento [m.

Carreau diamonds quadri o mattôni,m. Pique spades picche, f. Trèfle clubs fiori, m. Droit de faireles car - deal il far le carte La main [les the lead la mano Dernier en cartes youngest hand d' ûltima mano L'ami partner il compagno Une levée a trick una base, o bazza Une renonce noue of thaï suit un fâgiio La bassette basset la bassétta Le pharaon faro il faraone Le lansquenet lansquenet giuoco délia zara La bête loo giuoco délia bestia Le flux fiush il frussi gofFo Une prime primera bambâra o primiéra Une séquence séquence i séguito di carte del me- i désimo semé L'iiombre ombre giuoco deir ombre Un matador matadore mattadore, m.

Un baste basto basto, m. Le quadrille quadrille il quadriglio L' enjeu the stakes posta, f. Les pois peas i pisélli Les pois chiches chick peas i ceci La cosse des pois peasc. S âjo Un monceau [etc. La sève the sap il sûcehio Une branche a brandi un ramo Une menue brauch 3 a spray, sprig un ramicéllo Un rameau a bovgh frasca, f. Un abricotier Un amandier Un arbousier Un brugnonier Un avelinier Un coudrier Un cannellier Un cerisier Un citronnier Un cocotier Un châtaignier Un carojibier Un coigtiassier Un cormier Un cornouiller an apricot-tree an almond-tree an arhute-tree a nectainne-tree afilhert-tree a hazel-tree a cinnnmon-tree a cherry -tree a lemon, citron-tree a cocoa-tree a chesnut-tree a caroh-tree a quince-tree tt sorb-apple-tree a cornel-tree o 2 un albicocco un mândorlo un corbézzolo un noce pesco un aveilâno un nocciuôlo âlbero délia cannéila ciriégio o ciiiégio un liraône âlbero del cocco un castâgno carrùbbio, guainéUa un cotogno un sorbo un corniole lôO DES FRUITS.

Poire de bon chrétien — de beurré — blanquette — caillot — -rosa — mouille bouche — amadote — d'ambrette, etc. Et en Italien, pera bngiârda — angélica — bergamotta — 'Carovélla — moscadélla — spina, etc. July-floxver fior garôfano, viola ga- Giroflée double stock -gi lly -fiower vioîa dôppia [rotanâta Giroflée jaune îuall-fiower viol-a gialla Une hyacinthe a hyacinth un giacinto Du. Plante médicinale De l'aconit De l'aigremoine De l'aloès De l'anibrosie De l'angélique De l'aspic De l'agnus castus De ia bardane De la bétoine médical plant wolf's hane ayrimony atoes ambrosia angelica spikenard agnus castus burdock hetony erba médicinale r aconito, m.

Graine d'anis Ananas, m. La tète d'ail Gousse d'ail Armoise, f. Branche ursine Betterave, f. Brioine, couleuvrée Bardane, f. Champignon blanc Chou cabu, m. Pomme de chou Chicorée Choufleur, m. Jérusalem artichokes tarfûfi bianchi o di aspârago, m. Giovanni argentiua, serpentina snake-root, hirthwovt anstologia, f. Dent de chien Dent de lion, m.

Graine de paradis Gui, m. Grand persil Gesse, cicerole, f. Graine de lin Hysope, f. Houblon, m, Houx-fiêlon Herbage, m. Herbe au lait, f. Pietro la ginéstra speronélla robbia cardamône vischio frutice ' appio palustre una cicérchia ghiaggiuôlo, giaggiuolo sementa di lino r isopo, e issôpo erba elitrppia epâtica, fegatélla l'ébbio lùppolo, m.

Laitue romaine Laitue pommée Légumes, pi. Lentille sauvage Langue de chien Lierre, f. Langue de serpent Lupin, m. Melon d'eau Mouron, m. Menthe sauvage Menthe aiguë Mandragore, f. Nombril de Vénus Orvale, f. Iiearfs ease [per jacéa, e giacéa, f. Pouliot sauvage Pois chicbes, m. Pcds bâtifs Pois sauvages Pulmonaire, f. Pommes de terre, f. Reine des près, f.

Une bête Une brute Un anima! Les Poètes avec leurs licences poétiques ont tellement confondu les termes qu'à peine on peut reconnoître la propriété des mots. Le miaulement Sabbat des chats lie mngissement Le rugissement Le hurlement il miagulâre del gatto Le grognement Le hennissement mewing of cats caterwauling un miagolio di gatti hellowing of an ox il raugito d' un toro roaring of a lion i!

Oiseau de proie Oiseau de rivière Oiseau de passage Un aigle Un aiglon Une aigrette Une alouette Un cochevis Une mauviette Une farlouse Alouette de champ Un autour Un autruche Une bécasse Une bécassine Une bergeronnette Un biset Une buse Un butor Un bouvreil Une caille Un cailleteau Canard sauvage Chat-huant, hibou Une chouette ornithology hircl ofprey water-fotvl migratory hird an eagle a young eagle an egret a îark a crested Iark a sliy-lark a tit-lark ' a pippet a goss-hawh an ostrich a woodcock a snipe a wagtail a stock-dove a huszard a bittern a bidl-finch a quail a young quail wild duck, mallard an owl, horn-coot a screech-owl Chauve-souris, f.

Oiseau domestique a tame hird De la volaille povltry Un canard a drake ucrélio doméstico pollâmc, jiolii, m. Une cane Un caneton Un chapon Une colombe Un coq Un vieux coq Coq d'Inde Un dindon Poule d'Inde Un dindonneau Un pigeon Pigeon ramier Un pigeonneau Un paon Une panache Une poularde Une poule Une pintade Un pouiet Un poussin Une couveuse Une oie Un oison Le bec La pépie La crête La huppe Les ailes L'aîleron Les pattes Les serres ânitra fémmina anitrâccio, anitrocco un cappône una Colomba un gallo un gallastrone lin polio d' India gallinâccio, tacchiuo una tacchina tacchino giôvine un picciône colombâccio, colom- un piccioncino [bélla un paorie una paonéssa una pollâstra unagalliua gallina di Faraone galletto, pollâstro un pulciûo una chiôccia [ling un' oca, f.

Il Baretti nel suo Dizionario 1' appella perlano, ma avrebbe fatto raeglio a chiaraarlo sorta di peice, corne al suo soiito in tutti quasi gli altri articoli disimil sorta.

Mule, Sarpe, Sal- moni, e Coracini. Une monarchie Une république Une province Une principauté Une baronie Un duché Un comté Un marquisat Un électorat Une seigneurie Un territoire Un pays Une nation La patrie Une viiie Une montagne Le continent Une rivière a monarchy a repuhlic a province, county a principality a harony a duchy, dukedom a county, earldom a.

Adriatique Africain Albanois Albanes, pi. Andalousien Apuliens, pL Anglois , Anthropophages, pi. Autrichien Babylonien JBactriens, pi. Adriàtico Africâno Albanése Albâni, pi. Americâno Ammonj Andalusiano Apulj, pi. Arméno Asiâtico Assiro Ateniése Atlântidi, pi. Austriaco Babilonése Eattriâno, pi. Abdailo Abdalla Abdâlia, m. Alicia Adraéto noms propres qui ne changent dans les trois langues. Agoracrite Agricola Agrippa Agrippine, f. Alcinous Alciphron Alcippe Alcmètie, f.

Afro Africâno Agâclito Agaméde, m. Alcinoo Alcifrone Alcippe Alchména, f. Anien Annibal Annins Anténor Antigone, f. Antinoiis Antiocbus, Antioclie Antiope, f. Arethusa Aretùsa Ar gènes Argène Argie, f.

Artabase Artaxerxes Artémidore Artemise, f. Asmodée Assaracus Assuérus Astolphe Astrée, f. Athamas Athanase Athénée Atlantides, f. Bélisaire Les Bassarides Bellérophon Bélides, f. Caseoeuve Casimir Cassan Cassandre, m.

Constantin Copernic Corinne, f. Curion Curtius Cyaxares Cybèle, f. Danaides le Daiiâidi, pi. Dejanira Dejanira Déidamie, f. Deidamia Deidamia Déjopée, f. Diana Diana Didon, f. Egyptus Eléazar Electre, f. Elie Elien Elpinice, f. Erèbe Erichton Eridan Erinnis, f. Esaias Esau Eschyle Esculape Ester, f.

Egitto Eiiézer Eléttra, f. Elfrida, f, Elia Eliâno Elpinice, f. Érebo Eriltoaio Eridano Erinni, f. Euclide Eudoxe Eve, f. Euripide Eiiryale Eurydice, f. Florus Fulvius Gabienus Gabinius Galathée, f. Hazael Hécate Hector Hécube, f. Euménidi o Furie, f.

Euméo Eufrosina Eurinome, f. Floro Fûlvio Gabiéno Gabiuio Galatéa, f. Éttore Ecuba Élena, f. NoMs Propres d'hommes et de femmes. Hespérides le Espéridi, f. Iphigenia Ifigenia Iphis, f. Jesuits i Gesuiti, pi. Laodamia Laodamia Laodlce, f.

One of Draeger's finest productions for the celebrated French car-maker. Signed and dated in orange inside box spine. Firstly, the need of a random component emerges, in order to break the cyclical mechanical movement. Bowen, wood-engraved anatomical diagrams in text intermittent offsetting and spotting, particularly to the tissue guards and corresponding text leaves at the beginning and end of each volume. A poem on one page, nine pages of images.

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